The difference between the two is quite obvious. As soon as Lin Fan said it, everyone understood it, and at the same time, his interest was picked up by Lin Fan.

"Is this sand painting troublesome?"

"Yes, yes, Brother Fan, if it's not troublesome, Brother Fan, can you give us a demonstration on the spot?"

Anyway, if you are holding on now, you are holding on, so it’s time to digest.

Lin Fan inexplicably understood the meaning of Xia Yan and Zhou Xiang. Although he was a little speechless, it turned out that he really supported and supported himself, so let's draw!

Sand painting is actually not complicated, that is, on the basis of a painting, use the corresponding sand to cover the place that should be filled with colors.

Of course, sand is not a pigment after all. It can be directly attached to the painting. Sand is solid, so the sand painting needs glue to stick the colored sand firmly.

There are also details such as contour lines, which also need to be carefully outlined with sand or gold wire, but it is fine to outline with sand. If you use gold wire to outline, then this is not called sand painting. It has a special The name is called: Golden Silk Sand Painting.

Or called cloisonné enamel painting.

This cloisonné enamel painting is a new type of craft painting born out of cloisonne craftsmanship. Compared with the traditional cloisonne production method, it does not need embryo-making, firing and grinding processes. Because of its color sand, it presents a special texture, and its appreciation value is still very high.

Lin Fan purchased all kinds of materials and tools for cloisonné enamel painting.

But right now, I just want to show Xia Yan and Zhou Xiang first, Lin Fan didn't plan to do too complicated paintings.

Lin Fan took out a circular wooden board, and then used a pencil to outline two flowers with relatively regular shapes and rounded lines on it, then three green leaves, and a butterfly on the top. After two or three strokes, the draft was finished.

Then use a needle drop bottle to spread the glue evenly along the outline of the line art, and apply a small amount of viscose sericin to the lines.

Lin Fan explained while applying the glue: "After the glue is applied, let it sit for about 20 seconds, and then start to glue the gold wire on, so that the glue will be more sticky and stick more firmly."

After applying the glue, Lin Fan took out a roll of flat wire specially used for filigree painting, and used a wire clamping board—that is, two small wooden boards, to sandwich the gold wire in the middle and straighten it, so that the gold wire was glued to the lines of the drawing. , the outline will be more rounded and smooth.

"When applying glue to the lines, it is not advisable to apply too much at one time, and you have to pay attention to apply it evenly, and don't leave glue blocks. Then straighten the wire without leaving any twisted traces. After preparing these things , you can start to stick the wire to the lines of the manuscript little by little."

In the show, the camera zoomed in and aimed at Lin Fan's hand and the circular wooden board. Lin Fan was holding a metal wire in his left hand and a small pair of tweezers in his right hand, holding the gold wire to fix it bit by bit. on the glued lines.

Lin Fan's previous sketches had relatively rounded lines, so the audience saw Lin Fan's bows from left and right, pinching and sticking, turning and turning, and then using gold wire to outline a beautiful flower outline.

The whole process was smooth and beautiful, as if Lin Fan was not holding a gold wire, but a brush he was used to, and there was no stagnation at all.

But when it came time to outline the green leaves, Lin Fan's movements were not so smooth.

The outline of the petals is round and full, but the leaves are not. It has many sharp angles and veins. All these require Lin Fan to use small scissors to cut the gold wire, and then change the angle to connect the lines tightly.

It's just that Lin Fan connected the interface of the broken wire very tightly and tightly, and under such a close-up high-definition lens, the audience could not see any broken gap.

In this way, Lin Fan glued all the lines in the drawing with gold wire one by one, and he was ready to color.

Coloring is also a lot of fun.

"First of all, let's adjust the color. Yes, the sand painting also needs to be colored."

Lin Fan took a small bowl, poured an appropriate amount of colored sand into it, then poured an appropriate amount of sand-mixing glue, and stirred it evenly so that the colored sand appeared thick and semi-fluid. color.

The coloring of the colored sand is not just smearing it like a paintbrush, but using a small shovel, carefully fill the prepared colored sand into the grooves outlined by the gold wire.

The key to this step is to fill the colored sand evenly. It is best to fill all the colored sand to half the height of the gold wire. Don't fill it too slowly and overflow, or it will be bumpy, which will affect the appearance.

"Fill in the manuscript part, and the painting is almost complete. Next is the background color, you can choose to fill or not to fill according to personal preference."

However, for the final effect of the whole painting, Lin Fan still filled in the background color.

It's just that the background color filling of a large area is much more difficult than filling in a small groove. After all, it is a test of the author's hands-on ability to fill in such a large area into a plane.

"After all the colors are filled, in order to make the finished product more stable and firm, it is best to apply a layer of sand-fixing glue on the finished product after it is completely dried. After the sand-fixing glue is dry, the cloisonné enamel painting is done!"

Xia Yan and Zhou Xiang's two small heads also came together, and watched in amazement that Lin Fan used a pile of sand, a roll of wire, and other strange things to create such a beautiful work. Looking at Lin Fan's eyes, he couldn't help but burst into a warm light.

In the program, the high-definition camera was aimed at the cloisonné enamel painting that Lin Fan had just completed. The whole painting had a three-dimensional effect, with metal wire and colored sand integrated into one. The picture was flat, smooth, and strong, and the colored sand grains were clearly visible.

golden tinsel

Dear, this chapter is not over, there is another page ^0^ Outline the outline of flowers and leaves. UU Reading www.uukanshu.com Red and green complement each other interestingly, plus a butterfly fluttering in the air, making the whole painting vivid and three-dimensional.

Rough colored sand particles, bright colors, and refined workmanship give the whole painting a simple, elegant, high-end and gorgeous feeling.

And the whole production process also gives people a feeling of special decompression and tranquility.

[The sun is in the sky, Zhao: So beautiful! I just want to ask Brother Fan, is there anything in this world that you can't? I thought I knew enough about my brother Fan's bullshit, but I didn't expect Brother Fan to give me such a big surprise in the next second~]

[One Guo can't be stewed: Watching Fan Ge easily make a cloisonné enamel painting, my heart gave me the illusion that I can do it if I go. However, when I excitedly went online to order a complete set of tools, my hand told me: No, you won't! 】

[Who moved my little egg: Watching the show "Yearing Yard", I am running on the road of fine points every day, whenever Pange does something, my brain: It's too easy, hurry up and place an order! My hand: no! you will not! 】

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Dear, this chapter is over, I wish you a happy reading! ^0^