"I never float, let it flow take me to float where I want to go, until you open the door..."

On the set, Taylor Swift's singing sounded, and the entire open-air studio was in excitement, and many people beat the beat with the singing.

One camera was aimed at Taylor Swift on the small stage, and the other was aimed at the audience below, mostly around Matthew.

Originally director Peter Chelsom wanted him to sing, but now after changing the role, Matthew's cameo is easier, just be a good audience.

It's not that he hasn't seen how the professional audience of the Angel Agency behaves.

So, Matthew was completely immersed in Taylor Swift's singing, and he was so fascinated by it that it seemed that the song evoked his emotional resonance, and he was almost in tears.

The filming went very smoothly. After a trial shot, and then the official filming, director Peter Chelsom announced that it was complete, and Matthew's cameo ended.

He said hello to Taylor Swift, went back to a nearby makeup trailer to remove his makeup, and found a girl waiting near the trailer.

When the girl saw Matthew, she immediately greeted him with a naive smile on her face, "Hi, Matthew."

Matthew nodded at her, "Hello, Miley."

The person who came over was Miley Cyrus, the heroine of "Hannah-Montana".

Miley Cyrus pulled her phone out of her pocket and asked, "Can you take a picture with me?"

"Of course." Matthew did not refuse.

It happened that Taylor Swift came out of another trailer next to it. Seeing this, she volunteered, "Let me help you shoot?"

"Okay!" Miley Cyrus said, shoving the phone into Taylor Swift's hand, "Taylor, take a good picture."

The two clearly knew each other.

Miley Cyrus came to Matthew's side, hugged Matthew's arm, and Matthew showed a professional and friendly smile.

Opposite, Taylor Swift began to count down, "3! 2! 1..."

Just as she was finishing the countdown, Miley Cyrus suddenly stuck out her long tongue and made an exaggerated tongue wagging expression.

Matthew also noticed this expression, and through this expression, he suddenly remembered that this girl seemed to have seen it in the gossip news, and she often made some outrageous actions at that time.

The reason why he can think of this is because he has seen an exaggerated comedy about the assassination of the head of state by a reporter.

"I'm going back to shoot." Miley Cyrus took her phone back and waved. "Goodbye, Matthew. Goodbye, Taylor."

Matthew waved casually, and Taylor Swift came over and asked, "Are you going now? If you go, let's go together."

"Go." Matthew nodded, followed Taylor Swift out of the open-air studio and walked towards the studio door.

As he walked, he was still thinking about what happened just now. After a while, he already had a clearer memory.

When he saw the **** and **** comedy starring James Franco on the other side of the Pacific that assassinated the head of a country, he didn't understand the meaning behind the word "camel toe" mentioned above. A picture of Miley Cyrus.

This Disney youth idol, when faced with the transformation that youth idols must and rarely succeed in, completely collapsed the previous character design.

It still seems to be actively crashing.

"What are you thinking?" Taylor Swift asked.

Matthew didn't answer, but instead asked, "You know Miley Cyrus well?"

"It's a friend," Taylor Swift said, "I've known each other for over a year."

She asked again, "Where are you going next? Do you have time in the afternoon? Go to my music studio in Los Angeles, and I'll give you a little music basics class in advance?"

Matthew was a little moved, but finally shook his head, "I have something to do this afternoon, so I made an appointment to meet."

Taylor Swift asked deliberately, "Wouldn't it be a date with a beautiful woman?"

"It's really a woman." Matthew admitted first, then said, "A female director, I invested in a film project and needed a female director."

At the gate of the studio, he broke up with Taylor Swift and got in the car to the Angels Agency.

Since "Twilight" came out, Susan Collins has been calling him and Helen Herman constantly, hoping to see "The Hunger Games" on the big screen sooner.

Matthew is also planning to put "The Hunger Games" on the agenda, but before starting pre-planning, he needs to find a suitable director for the project.

With the successful experience of "Twilight", his first and foremost is still a female director.

Looking at the whole of Hollywood nowadays, there are really very few outstanding female directors. Sofia Coppola has to direct the sequel of "Twilight", and she has her own filming plans behind it. It is impossible for her to direct this series.

The range to choose from is actually very small.

In the past month, Helen Herman has been in contact with Katherine Bigelow and Nancy Meyers, the former has no interest in this type of film, the latter said that he can do nothing about the large number of action scenes.

Frankly speaking, these two are also too old, and Matthew has certain doubts about them, and they may not be able to grasp the preferences of young audiences.

A few days ago, I met Charlize Theron and talked about "The Hunger Games". Charlize Theron recommended a director to him - Patty Jenkins!

That is, she was the director when she filmed "The Devil".

Charlize Theron helped him meet Patty Jenkins this afternoon.

Patty Jenkins is best known to date for The Devil's Head, but has also directed the quintessential teenage icon of "Partnership."

And Patty Jenkins, born in the 1970s, is one of the youngest female directors in Hollywood.

In the reception room of the Angels Agency, Matthew met Patty Jenkins.

Charlize Theron made introductions for him and Patty Jenkins and Helen Herman, and left voluntarily, apparently not participating in the talks between the two sides.

It was the first time Matthew met the director of "The Devil". Patty Jenkins had very common dark brown long hair and looked like a very ordinary woman.

However, Charlize Theron leaked some Patty Jenkins news to him.

Matthew didn't talk nonsense, and went straight to the topic, "Director Jenkins, I asked Sally to help you ask you out, and I intend to invite you to be the director of a project."

Although the directed work helped Charlize Theron get the best actress, Patty Jenkins' status in the circle is much lower than that of Charlize Theron.

"Sally mentioned it to me." Patty Jenkins hasn't directed a movie in years. "It's based on The Hunger Games, right?"

Matthew nodded, "Yes." His eyes flashed quickly over Patty Jenkins' face. "I purposely made this series a film about women fighting for survival and power."

Patty Jenkins was a little moved, "You mean making a feminist movie?"

"That's right." Matthew knew that it would be difficult to win people's trust if he exaggerated. "However, the content must be moderate. If it goes too far, it may cause negative effects."

Patty Jenkins is a director, and naturally understands this, and immediately nodded.

Matthew added, "Director Jenkins, as you may have heard, I've been sponsoring and supporting women's organizations in North America."

"I know." Patty Jenkins nodded again. "It's a great honor to know someone as passionate about feminism as you."

"You're too polite." Matthew smiled.

In fact, Charlize Theron didn't reveal much to him, but it was very important. Patty Jenkins is a real female white leftist and a feminist supporter from the bottom of her heart.

Due to the limited selection of female directors, Patty Jenkins is the most suitable director Matthew has encountered now, and it is too rare to have a female director who has the ability and has directed teen idol works.

In addition to the director, Patty Jenkins is also a very good screenwriter. Most of the script for "The Devil" came from her.

If it is a female director like Katherine Bigelow, Matthew can not impress the other side much except money, but it is much easier for a white-left feminist like Patty Jenkins.

The character he has set up for himself over the years, the identity he has created, and the foundation's funds to assist women and children~lightnovelpub.net~ can easily gain the favor of white left feminists.

Some people may think that the wealthy people throw a lot of charitable funds in charity or other public welfare activities because they have money to support, or waste their financial resources, but these can often be helped in other ways.

People like Matthew, the money thrown at charity is not wasted in vain.

Patty Jenkins clearly recognizes Matthew, and although he has no position on whether to direct the work, he is willing to talk to Matthew and Helen Herman.

"Director Jenkins, if you join this project." Matthew did not ask Helen Herman to speak, but said in person, "We also plan to hand over the screenwriting work to you and the original author Susan Collins. ."

Seeing Patty Jenkins nodding lightly, he added, "The heroine Katniss is the most suitable female spokesperson. She firmly believes that she is no worse than any man. She went to war to save her family, and she doesn't need any man. Come to save, but save a lot of men, I have communicated with Susan Collins and introduced you to another day, she is also an excellent woman."

"Okay," Patty Jenkins responded.

Matthew continued, "I agree with Susan that Katniss, the heroine, will be the voice of democracy and freedom in the world of the film."

Patty Jenkins said suddenly, "Matthew, I'm very interested in what you said, can you give me some time to let me finish reading the original book?"

"Okay." Matthew laughed.

The two sides chatted for a while, and he and Helen Herman sent Patty Jenkins away.

Back in Helen Herman's office, Matthew rubbed his forehead, "The problem with the director shouldn't be too big, and a good enough producer is still needed."

Helen Herman replied, "I recommend someone."