Chapter 86 II. I know you did it

  Envelopes have some thickness and are no longer just a thin piece of letter paper.

   At this moment, Lu Li instead hoped that it was a love letter from a Slavic lady. Although that would cause some troubles, at least it wouldn't let Lu Li fall into that terrifying and weird guess.

   But often, when you hope an upcoming event isn't bad, it's often really bad.

   There are no gorgeous rhetoric from third-rate writers, but a stack of four-frame comics.

  Lu Li recognized a villain from the first frame, and it was himself—a pair of black eyes painted in circles, unique black eyes.

   In the first picture, a villain is squatting outdoors with his back facing outwards. The black-eyed villain represented by Lu Li stood behind him.

   The eyes made up of swirling black lines are deep, making people tremble inexplicably.

   In the next picture, "Lu Li" stretched out his hands and placed them on both sides of the villain's head with his back to him.

   In the third picture, the back of the villain's head was broken at a 90-degree angle, and his mouth was drawn, as if he was shouting something.

   In the last picture, the back of the villain's head is turned completely behind him, and there are some more random drawings like twist lines on the neck. Not only that, the villain representing Lu Li also turned his head at the same time, as if two villains were staring at Lu Li outside the paper.

   However, if you don't understand the deep meaning of the painting, you will at most feel that this four-panel comic is a cult rather than a horror.

  Lu Li paused for a few seconds in the last painting, took off the first sheet of paper, and looked at the next one.

   A little man is leaning against a simple outline of a bed, and two ponytails arcing from his head indicate a woman—or a man with ponytails.

   Lu Li's figure was not among them.

   In the second picture, the villain on the bed has maintained the posture of the first picture, and in the corner she can't see, the figure represented by death appears in the picture.

   The dark eyes represented by the messy lines are impressive.

  The third picture, the villain "Lu Li" is standing by the bed, and the villain on the bed finally has a new movement. She looked at the "Little Man Lu Li" by the window, her round face was outlined with simple lines representing fear and panic.

  Lu Li noticed that the villain "Lu Li" had a gun in his hand.

   Without stopping, Lu Li looked at the next painting.

   In the last picture, the little man "Lu Li" raised his arms and aimed the gun at the little man on the bed. The villain lay down on the bed, his eyes turned into X.X, which often represents death in the comics, and a large blood red smeared on the wall behind him, or the empty space in the painting.

   This is the first time that a color other than black has appeared in the comics. The effect is unexpectedly good, and it has unexpected impact.

  .

  The manga has no sound, but the pictures make people unable to help but make up their minds.

  Like the first cartoon, the "Lu Li" villain who finished everything raised his head and looked at Lu Li outside the painting.

   Those black eyes were cold, evil, and without a trace of emotion.

  Lu Li quietly stared at the pupils in the drawing paper, said a word for a long time, and drew the next one.

   "Nice painting."

   I don't know if it's the composition of the manga or the impressive eyes.

   The first picture of the third comic, this time with a new scene: the bathroom.

   Toilet shape and compartment door are recognizable.

  A fat little man with a tie around his neck is washing his hands in front of the sink, representing the figure of the fat little man reflected in the blank mirror.

  Lu Li had already foreseen what would happen next.

   In the second picture, the back of "Little Lu" appears at the edge of the picture, while the mirror opposite completely reflects his face.

   In the third picture, "Little Man Lu" went straight to the toilet on the right side of the picture, while the fat little man was dragged behind him, carrying the tie.

   This was a bit beyond Lu Li's expectations. He thought that in the four-frame comic, he would take out a flintlock gun and shoot, and then the blood red covered the blank space——

   The fourth picture, the end of the convention. The fat little man was lying in front of the toilet with his head tucked into the toilet. The wavy black line represents the water level in the toilet, and the fat little man's head has been submerged in the water, and his eyes have become the same X.X as the previous paragraph.

   Lu Li finally had an impression of this scene. In the Michelia incident, some newspapers published the strange death methods of some of the victims-although most of the newspapers were sympathetic, there were still a few newspapers gloating.

The    newspaper content described a victim who died of suffocation and fatal injuries - his head was completely stuffed into the pipe under the toilet.

   As the answer was revealed, the comics in the envelope finally changed from cult works of unknown meaning to content aimed at Lu Li.

   The usual "Lu Li" villain turned his head to look outside, but Lu Li didn't pay much attention this time. Looking at the same picture for a long time will lose its freshness.

   The fourth comic, this time it's not indoors, but outdoors. The uneven lines indicate that it is somewhere in ruins or a rugged mountain. Slightly special is that this time the picture has become a bird's-eye view. The oval circle represents the head.

   The fourth victim is standing in the middle of the first picture. Because there is nothing special, Lu Li can only temporarily call him the victim.

   In the second painting, "Lu Li villain" appears, which is also represented by an oval circle. In order to distinguish Lu Li, an arrow and a word appear next to the circle.

  【←you】

   "Little Lu" pushes the panicked victim into a carriage, and drives the victim's carriage off the cliff in the third painting. This scene is perfectly reproduced in the top view.

   "The horse is innocent." Lu Li frowned slightly, almost muttering to himself.

   Looking at the fourth painting, it seems to be the bottom of the cliff, the carriage has fallen apart, blood-stained hands and feet are sticking out from the wreckage, and the "Little Lu" and the horse are standing safe and sound in the corner of the picture.

  Lu Li didn't know how Michelia managed to let the carriage fall from the cliff without the horses being injured, but her brows gradually eased.

  Like the previous comics, "Little Lu Li" raised his head and looked at Lu Li outside.

One after another, four cartoons reveal every method of death: "Little Lu" dug out a man's heart and stuffed it into his mouth; "Little Lu" stuffed a woman's long hair into her throat to suffocate her to death; "Little Man Lu" pushed the **** the rooftop downstairs and let her slip to the ground through a hole in the pole and die.

   Twenty-three of the same manga remain. A total of 31 comics fit exactly the number of people Michelia killed when she turned into a wraith and took revenge: 31 people.

   And each of these victims died in exactly the same way as the homicide scene results.

  The only difference is that it was Michelia who did these things, not Lu Li.

   After reading the 30th kraft paper, Lu Li thought it was the last battle, but then he found that there was another one behind.

   There is no comic graffiti on the last sheet of paper, only two lines of writing.

  【I know you did it】

【Waiting for your reply】

   (end of this chapter)