Chapter 2430 Extra: Love 27

  【What are you taking screenshots for? They were all stunned! 】

　　【Ah ah ah, how could someone look so good at making tea? 】

  【Whale Luo’s expression is my expression at this time】

　　【This scene is really beautiful! 】

　　【The beautiful woman is watching her beloved making tea, woo woo woo, the picture is so beautiful and elegant, one of the most romantic pictures in Xia Kingdom】

  【If another guqin music is played at this time, it will be more charming】

　　【Really, the whole picture is full of charm and beauty. For a moment, I can't tell whether it is the photographer who is great or the temperament and appearance of the people themselves.】

　　【More pictures like this in the future, wallpapers are here, right?】

After Su Yunling finished cooking the tea, he immediately poured a cup for Gu Zhiqi, and then poured a cup for each of the others.

 After the group finished drinking tea, those who studied the chess game continued to study the chess game, and those who studied the musical instruments continued to study the musical instruments.

Su Yunling and Gu Zhiqi took tea and walked to the window to enjoy the scenery. Since they were traveling on the lake, they had to take a good look at the scenery on the boat.

  Qiao Nan and Mu Han are still studying musical instruments.

Mu Han is a singer and can play one or two musical instruments. There happened to be a guzheng in the private room that she could play. She stared at the guzheng for a long time and finally said softly, "Can the instruments here be played?"

It was the venue decided by the program team, so Mu Han was also asking the staff of the program team.

 Soon, I got an answer from the staff.

So, after a while, the sound of music like gurgling water floated out of the elegant room.

Gu Zhiqi and Su Yunling were sitting by the bed, facing the breeze blowing from the lake, listening to the beautiful music, and sipping mellow tea. It was really comfortable.

Gu Zhiqi leaned against the window and glanced at Su Yunling inadvertently. For a moment, he felt drunk.

The beautiful scenery is intoxicating, the music is intoxicating, and the fragrant tea is also intoxicating, but none of them seem to be as good as the beauty in front of me.

Su Yunling seemed to feel something. He raised his eyes and glanced at her. When he met Gu Zhiqi's eyes, Su Yunling curled his lips and smiled, his brows gentle. Facing that evil man's brilliant smile, Gu Zhiqi was stunned.

 I just felt my heartbeat skipped a beat.

always like this.

 Every time she thought she liked him very much, she would suddenly find that she could like him even more.

 “This music sounds familiar.”

Tang Yichen and Yun Xiu were playing chess. Hearing the sound of music in his ears, Tang Yichen suddenly turned his head and looked at Mu Han, who was playing the guzheng.

Hearing this, Qiao Nan glanced at Tang Yichen and said, "This is the theme song of "The God of Delirium"."

Tang Yichen nodded clearly, "I said I must have heard it. It turned out to be the theme song of "Shen Wang"."

Tang Yichen has watched all the plays performed by Su Yunling.

However, most of the time I skip the opening and ending credits, and I can tell that this piece of music sounds familiar simply because this piece of music was played in the main film of "The God of Delirium".

Although I watched it a few years ago, Tang Yichen still remembers the general plot.

 The male protagonist of "Shenwu" is called Wuwu Shangshen. Wuwushangshen was born ruthless and desireless, and he has never had any obsessions. He shoulders the important task of protecting the people.

Later, because he met the heroine Yunqi, he had delusions and inner demons, and the villain Yunzhi was born from his inner demons.

 The final outcome is that Wuwu defeated his inner demons and sacrificed himself for the common people.

 In order to be resurrected, the heroine searches for the method of resurrection in the world.

 It’s just that, until the last episode, the heroine was still on the way to find resurrection.

 And that theme song only appeared twice in the play, once when she made a selfless sacrifice, and once when the heroine traveled through thousands of rivers and mountains, walking on the road to find the way to resurrection.

 (End of this chapter)