The two hurriedly retreated to the door, and then watched as a gap appeared in the space. The man twisting on the ground immediately got into the gap.

　　 Before the gap was closed again, both Jenkins and Miss Magic saw it. The opposite of the gap was the familiar Doomsday Nolan.

　　 This is something that neither of them thought of, and immediately rushed to the villa in the mountain after recovering. But fortunately, Miss Silver Flute was safe. When Jenkins and Miss Magic rushed into the house, she was busy dealing with a mass of dough in the kitchen.

　　 "You guys...what's the matter?"

　　 she asked curiously.

　　 Jenkins and Miss Magic breathed a sigh of relief, but after a while, they began to think about what they had just done.

　　 "Could it be that he revealed so much information to us that he was brought back into the doomsday illusion by the old man from the clock tower?"

　　 Miss Magic guessed.

"It should not be the case. If the old man in the clock tower can monitor the real world at all times, then we will not get the effective information at all. I am more inclined. It finally understands that the reason for the church to destroy the beacon is that the person revealed the information, so I just want to make up for it and take him away."

　　 Jenkins analyzed.

　　 "In other words, the old man in the clock tower thinks that besides the beacon, that person also knows other effective information?"

　　 Miss Magic understands.

　　 "Other effective information probably refers to the second survivor who was captured."

　　 Jenkins sighed and looked out the window, "I decided to enter the doomsday illusion again. The church may be able to solve this problem, but I can't just sit back and wait."

　　 He already knows that [Real Phantom] can let him leave the doomsday illusion at any time, so he is not worried about safety. It's just that he wasn't sure how to get there now, so he needed Miss Magic's help.

　　Miss Magic, of course, does not approve of Jenkins's doing this. She thinks that Mr. Candle is now a bit like Mr. Hood, in a state of justice and nosy. But this was his own plan after all, Miss Magic saw the obstacles, and offered a plan that seemed a little risky.

　　 "The two worlds are so close now, you only need to go to the place where the space meets, and then use a powerful force to temporarily break a passage to enter that world."

　　 "The place where the space meets, do you mean this?"

　　 He pointed to the sky.

　　 "Yes, I remember you have a unicorn, let it take you to the sky, and then it's fine."

　　Miss Magic nodded and said:

　　 "Actually, you don't need to do this at all."

　　 If it were a few months ago, Jenkins would not take this risk. But recently the "Disaster Poem" urged him to collect more gems for that slab. After all, the demigod in the tree house was doing the same thing in places that he couldn't see.

　　 The whole world has been turbulent recently, and it is difficult to judge what things are related to the tree house. Therefore, Jenkins must ensure that he understands the full meaning of the "Disaster Poem" first, which requires him to get involved in various disasters.

　　 Before departure, both Miss Magic and Silver Flute saw Jenkins off. The two women were very pessimistic about Jenkins' adventures, but they had to watch him leave.

As a gift, Miss Magic gave Jenkins a ring pierced with red thread. According to her, this ring can bring luck; Miss Silver Flute gave a small piece of black charred wood. She and Jenkins also has the soul emblem of the green life system, and can feel the huge vitality in this piece of wood.

　　 As for Luen, Alexia neither agrees nor disagrees with Jenkins' risk-taking behavior. After confirming that Jenkins really wanted to do this, she insisted on going to Nolan to wait for Jenkins' news, instead of staying at Luen.

　　 "You know that once I make a decision, it is difficult to change, and this is the same as you."

　　 The short lady said so, Jenkins agreed, but asked her to stay in her house so that she could take care of the chocolate. After all, if the situation is not good, he can use [Real Phantom] to escape from the doomsday illusion back to the real world, but the cat cannot.

　　 Standing at the bedroom window on the second floor of Jenkins's house on St. George Street, watched Jenkins leave with the cat on the window sill. Alexia looked down at Chocolate, who also raised her head to look at her.

　　 The eyes of one person and one cat are very beautiful, and in this silent stare, many interesting meanings can be seen in the eyes of the other person.

　　 "I'm going to find that Hathaway Hesha, will you stay here to watch the house, or come with me?"

　　 Alexia asked chocolate.

　　 "Meow~"

　　 Chocolate squatted on the window sill and licked his paws, then jumped from the window sill and stood at Alexia’s feet, expressing his attitude.

　　 The night is already very deep. Although the church's prepared defenses have caused further changes in the city hanging over their heads, for ordinary citizens, this is still a peaceful and peaceful weekend night.

　　 Alexia and Chocolate moved quickly. One person and one cat didn’t communicate with each other. They just walked through the streets of Nolan, and soon came outside the walls of Hesha’s mansion. Today is Sunday, according to Hesha's rules, Hathaway must be at home. Alexia intends to take this rare opportunity to meet this long-known girl.

Chapter 1418 Chapter 1395 Breakthrough

　　 "I want to fly up directly, do you need me to take you up, or do you want to go up by yourself?"

Looking at the window of Hathaway’s bedroom, Alexia took out a specially prepared spectacle case from his pocket, put on the small pair of gold spectacles inside, and then asked the cat standing in her shadow .

　　 Chocolate shook his head, and then rushed towards the thick wall. The cat did not hit the wall. On the contrary, when the wall touched the cat, a layer of water was formed, and the chocolate entered the yard through the wall like a phantom.

　　 At this time, Hathaway was sitting at the dressing table in the bedroom, sorting out her jewelry box, which contained her own jewelry. Picking up the emerald necklace, thinking about how to match the jewelry if he really wants to meet the princess of Luen, so as not to lose to the other party.

　　 was thinking about it, and suddenly heard the glass of the window knock.

　　 stood up and came to the window, and then saw a familiar cat squatting outside the window. Even if it is dark outside, the black and white chocolates are particularly conspicuous. This is because the chocolate is attached to the glass, and on the other hand, it is because of the gleaming blue cube in the hands of the small lady floating behind it.

　　 took a step back subconsciously, but immediately remembered to open the window again.

　　 As soon as a gap was opened in the window, chocolate came in through that gap. He sniffed the air in the room disgustingly, and then jumped to the small round table on which the poor tea set was placed.

　　 "The first time I met, I will introduce myself, I am Alexia Miller, you should have heard of this name."

　　 said Alexia who floated in from the window, and then fell gently on the floor. Hathaway reached out and closed the window:

　　 "Hello, I’m Hathaway Hesha, meeting for the first time...good evening."

　　 She looked at the glass of the window, because the gas light in the room was bright, and her face was clearly reflected there. Hathaway could see her stunned expression and the forcibly suppressed distortion. She stared at the reflection in the window for a few seconds, then stretched out her hand to quickly close the curtain and "shuts" the reflection outside.

　　 "I took the liberty to visit you so late, this man Jenkins is too alert, I must find a time when he can't notice."

　　 Alexia said, then looked at the chair beside her.

　　 "Please sit down."

　　 Hathaway said, lowering her head to organize her mood, and when she raised her head again, her face was already with an elegant smile. In fact, she is even more curious about why chocolate is willing to follow the woman in front of her.

"Jenkins told me about you, and I think he also told you about me, so everyone doesn't have to say those polite words anymore. After all, the relationship between the two of us is very...strange. "

　　 Alexia tried his best to pick a neutral vocabulary, and then took the teacup from Hathaway. When the two women met for the first time, there was no contradiction unexpectedly. Of course, from the perspective of the chocolate on the side, the atmosphere in the room was very weird, and it liked to see this scene.

　　 Hathaway poured tea for the two, made some snacks for the chocolate, and sat down:

　　 "Miss Miller, why are you looking for me tonight?"

　　 She is controlling her tone and expression.

"I want to talk to you about the future of Jenkins. His Royal Highness Princess Roon has investigated the affairs of the Williams family. I think you should also know this. As people who will live with that man for a long time in the future, should we Let’s discuss together what kind of life we ​​want Jenkins to live in."

　　 Alexia pushed her glasses a bit, having to admit that such decorative ornaments can really change a person's temperament. At least when Hathaway faced this dressed-up Alexia, there was no pressure because the other party was almost a demigod. She only felt that the lady on the other side was elegant and intellectual. She admitted that Jenkins had a good vision.

　　 "Yes, we must..."

　　 She bit the personal pronoun "we" very hard, and Alexia understood what it meant. Because of Jenkins's scumbag approach, in addition to the complex relationships he has to face, in fact, the ladies are not willing to accept it, and everything needs to be adapted.

　　 Hathaway thinks that she and Brian are the first to come, while Alexia thinks that the red-haired lady should not be the first to break through with Jenkins.

"We know you are very dissatisfied, in fact, I am very dissatisfied. But this is not the point of today's discussion. Remember my question? This is the key. Miss Hathaway Hesha, all this is done by Jenkins But he is not the only one who can decide our future, we can also decide his future, such as...whether he should take over the crown."

　　 (Fini praying...)

　　 Jenkins rode a unicorn to the sky, and as the altitude continued to rise, he was getting closer and closer to the hanging city. This is very scary, and even for a while, Jenkins couldn't tell the difference between up and down.

When flying to a certain altitude, the unicorn stopped spontaneously, and as its white wings flapped, the pure white light flickered. The distortion of the light above made Jenkins understand that there was a connection between anomalous spaces. .

　　 "Are you ready?"

　　 He patted the little beast under him lightly, and then "drew" his sword from the air. After taking a deep breath, he slammed upwards. After the silent collision, ripples reverberated in the air, and taking this opportunity, the unicorn rushed into the ripples like an arrow.

　　 All this is fast, only the night sky witnessed all this.

　　 Flying is forbidden in the doomsday illusion. After breaking through a layer of water film and feeling the rotation of the earth, Jenkins can no longer distinguish between up and down. Even if the unicorn fell under the action of gravity, the unicorn still tried to use its own strength to slow down the speed of the fall, so when they fell to the ground together, they did not accidentally suffer serious injuries due to the impact.

　　 "You have worked hard, let's go back first, I will walk the rest of the way by myself."

　　 Because of the movement falling from the sky, the nearby monsters have been attracted. Enduring the intense nausea caused by the shift in space, Jenkins first sent away his unicorn, then observed the surrounding environment, stepped on the blood stains and spider webs on the tattered street, and smashed the signboard next to it with a sword. The door of a heavily faded tobacco store.

　　 The door was sealed by four long wooden boards criss-crossing each other with nails, probably because of the age, the wooden boards almost shattered when touched.

　　 The action of smashing the door panel produced greater movement.

Chapter 1419 The True Doomsday

　　 The sound of opening the door panel spread far, but Jenkins did not hide in the house after doing this, but retracted his sword, and then made a big jump to the second-floor balcony of the gray Balot-style three-story building opposite.

　　 This type of building usually likes to place strangely shaped faceless human sculptures on the convex part of the building, so Jenkins can have a strong point to climb up. Soon he came to the roof guarded by the four plaster statues, so he got down.

　　 Putting the plaster statue on the roof means that it must be replaced every once in a while. But the current building corresponds to reality and seems to be the rich club in the city, so it doesn't care about these expenses.

　　Sure enough, the five black bandaged monsters attracted by the sound saw the deserted street, so they flocked directly to the tobacco shop where the door was split. Of course there was no one in it, and these monsters didn't seem to have any kind of kinship, and they fought after touching and rubbing with each other.

　　 The final victor, the masked nun who was walking with the iron virgin torture instrument on her back, became stronger after absorbing four parts of soot. Amidst the sound of the chains, she unconsciously floated to the other side of the street.

　　 "Oops, I don't seem to be able to beat this..."

　　 In fact, the five monsters that appeared just now should be the most powerful monsters Jenkins encountered in the doomsday fantasy. If it wasn't that he had a very low accident, then it should be that the monsters that existed in the doomsday have also been greatly enhanced while this world is close to the material world.

　　 The principle of this is unknown to Jenkins, he only knows that his journey will not go smoothly.

　　The monsters whose clothing and skin merge and turn into soot and dissipate after death are the most common enemies in this doomsday city. In the past, their attack methods were only simple weapon attacks. Although these monsters are powerful, Jenkins can handle them.

　　 But this time in Nolan at the end, even these most basic monsters have mastered the spell. After confirming that the masked nun had left, he jumped off the roof, trying to get around this area from the alley, and then met a monster that was as thin as a mummy but taller than 9 feet (about 2.74m).

　　 Jenkins slashed out according to a familiar routine, but he didn't expect his sword to get stuck in the opponent's body. Then the hands that were completely covered by the black bandage grabbed the hilt, and the black scarabs gushed out from the gap in the bandage like a tide.

　　 They couldn't bite the sword, so they flocked to Jenkins's hand. Jenkins was so frightened that he almost let go of his right hand holding the sword, but then he reacted, recalling the feeling of anger, let the fire of the gift flow through his body, once again transformed into a look similar to the fire element, opened his mouth and shouted silently, directly The monster in front of him embraced its bugs.

　　 The crackling and burning sound accompanied by the scorching stench of bugs poured into Jenkins's nose. He coughed a few times and then backed away from the flame. His sword was inserted diagonally on a pile of soot, and the few lucky scarab beetles fled around the alley.

　　 "Could it be said that the current strength is the strength of these monsters in the real doomsday?"

　　 Jenkins guessed and thought that this guess was probably correct. After all, with the power of the original soot monsters, even if they can spread the curse of soot to all creatures, at best they are only a terrible curse.

　　 In addition to the increase in the strength of the monsters, their number and types are also increasing. This doomsday world is still lonely and peaceful, and the world under the yellow moon is still quiet and maddening, but there are more wandering creatures, or things that can barely be called creatures.

　　Jenkins, who wanted to detour, was repeatedly obstructed, and even used a low-power [Mechanical Light] as a last resort to ensure his own safety.

　　 The world is becoming more and more crazy, and there is a scent of decay in the air, which often symbolizes the end, and this happens to be the meaning of this doomsday world.

　　 These monsters are not the most terrifying. What Jenkins is most worried about is that the yellow moon above his head will suddenly fall, bringing the world to the ultimate darkness. He couldn't understand what the ultimate darkness represented, and all the cataclysms at the end of the epoch that he knew had nothing to do with it.

　　 He once guessed that it was the fire-free era of the Titans, but even in that era, there was the glow of embers in the darkness, rather than complete fear and silence.

　　The only thing that can be thought of is the final station of the train [the end] mentioned by the flight attendant in the train paradox last autumn. Jenkins dared not imagine what changes would happen if the moon disappeared when he acted. He could only pray quietly to the sage in his heart, while speeding up his steps towards the clock tower.

　　 The purpose of returning to this world is to save Nolan. Killing the old man of the clock tower is the most direct way, but Jenkins thinks he can't do it. His main target now is the third survivor who was imprisoned here by the old man from the clock tower, and he believes this will be the crux of the problem.

　　 Climbing to the clock tower and confronting the old man is the most stupid way. Jenkins's choice is to observe the aura nearby and look for the imprisoned person. In fact, he had opened the [True Eyes] many times when meeting the faceless old man on the clock tower, but he had never gained anything other than the black aura everywhere and the terrible pressure on the old man.

　　 So this time the search first started from the vicinity of the clock tower, and this behavior quickly proved to be correct.

　　 The urban layout of Nolan at the end of the day is not much different from Nolan at the end of the 18th era, and he really saw an unusual aura at the coffee shop that Jenkins frequented near the square.

　　 All monsters in this world are black auras, so there must be a problem with the white touch in the black.

　　 took some time to bypass the wandering monsters in the square. From the alley, he stepped on the trash can that was gnawed by some creature and turned over the wall of the backyard of the cafe.

　　 In the background story of Doom Nolan, an extremely terrible tragedy should have occurred here, and the bones piled up in the backyard almost folded into a hill. It's a pity that Jenkins doesn't have time to explore the story here, otherwise he might be able to learn more about the end of the past era.

　　 At the same time, he also thought about it. Obviously, most of the bones in the city had been taken away a few days ago, and the bones that appeared at this time were obviously unreasonable. But then I thought of the overlap of the two worlds, which would promote the upgrade of the monsters' strengths in the doomsday, which might also affect the material that originally existed in this world.

Chapter 1420 The first thousand three hundred and ninety-seven chapters of power and spells

　　 The white aura is located in a small warehouse in the backyard of the cafe, but before entering there, Jenkins needs to deal with the "guards" who guard the door.

Those were two humanoid creatures wearing shabby black robes. One dragged a huge mace and kept spinning around the yard, drawing deep drag marks on the ground; one carrying a giant black iron cross on his back. Standing motionless at the door of the small warehouse.

　　 These two monsters should have been arranged here by the old man in the tower, because there are no other facial features on their faces, and only a black eye is located in the center of the face. Just a glance, Jenkins confirmed that these eyes are exactly the same as the dense eyes on the face of the old man in the clock tower.

　　 In other words, although the clock tower old man seems unable to leave the clock tower, he can influence the world by controlling the monsters of the doomsday.

　　 "Are the sight lines of these eyes connected? Once I have been observed by the monsters here, does it mean that the old man in the clock tower also knows that I have come?"

　　 He squatted on the wall and had no idea for a while. He didn't know whether he should jump into the yard and fight the opponent directly, or find other ways to enter the small warehouse without disturbing the monsters in the yard.

　　 In fact, he has no choice at all, because the wall on which Jenkins is squatting has long been ruined because of the corruption of time and the power of apocalypse. Even if his weight is not very heavy, it is the last straw that crushes the camel for the wall.