When the green scene of Wanmuqi was staged like a movie in the altar, the horizon in the distance began to dim, and a black line slowly moved from the sky, casting a huge shadow on the ground.

The boss of Coal yelled impatiently: "Where is the passage? Where is the passage home? Hurry up, we are about to fall into the deep well of time and space!"

Aoki walked to the cut willow branch and sat down, looked at the thin leaf that had just grown on the branch, and said, "When it grows into a tree, we can go back."

"Qua? Waiting for it to grow into a tree?" The crow froze for a moment, and then cried out in mourning, "Quaqua...When it grows into a tree, my flowers will be old! My sauce elbows...are all hairy... …Crack…"

Aoki lightly touched the delicate willow bud with his hand again, sensing the inextricable connection with the distant hometown brought by that touch of fresh green. In his mind, he saw many weak wicker swaying in the wind, like a green door curtain. With just a slight lift, he could open the curtain and walk into the long-lost home.

It's a pity that the hand he stretched out could not touch the wicker, and he was still some distance away from the curtain. He felt that it was a bit like the boundary of a dream, as if crossing from one dream to another. If the mental power is not strong enough, you can sometimes see the existence of a dream next door, but you cannot touch its boundary and cannot cross the past.

"A hundred years of trees are indeed very long, but we will soon be covered by a static zone of time and space. The one hundred years here will not take a few days on the earth, maybe one day is enough." Aoki said.

"Then Ruhua is not old yet! Sauce elbow...If it's winter, you can still eat it...but it's better to put it in the refrigerator, or just make a fresh one...a hundred years...well..."

The crow tilted his head and thought for a while, and suddenly became horrified, "Qua! Flowers will not grow old, we will grow old! In the static zone of time and space, we will die!"

"So, we have to hide outside the space-time still zone." Aoki said, standing up, returning to the center of the altar, and holding the Soul of Wood.

"Outside? You mean the room where the helicopter is parked...that space-time bubble?" The crow looked around, "Of course the best if you can find the bubble, but I think the Swordfish hangar is suspicious."

"Oh?" Aoki asked with a smile, "Why?"

"It's a coincidence," said the crow. "Why does Space-Time Bubble happen to be in a room on a ship? Why are they in the same place both times? Why..."

It thought for a long time without thinking of anything else, and croaked, "Why is there a space-time bubble?"

Aoki smiled and said, "Because space-time bubbles can be made, just like sauce elbows."

"What? You can eat?" The crow patted its wings, and then realized that Aoki was not referring to the attribute of'eating', and croaked awkwardly at the sky, "I mean...all, uh...craftsmanship , Yes, craftsmanship!"

Aoki nodded: "It's all craftsmanship indeed."

As he spoke, he pulled the Soul of the Wood out of the ground. The towering tree in consciousness burst into spiritual fragments like a broken image, and disappeared.

The floating boulder suddenly fell as if it had lost the support of some kind of strength, and the crow was so scared that it shrank and croaked.

"Don't be afraid, they will return to their original positions. We are standing in the middle. There were no stones here." Aoki said.

As the boulder fell, the entire space rumbling and shaking. Aoki closed his eyes and carefully felt the spatial cracks formed in this shock feedback to the spiritual changes through the soul of the wood.

As early as when the giant moon was in the air, he discovered that the superimposed shape of the giant stone floating in the altar and the altar itself was very strange. Mrs. Larry also said that it was formed by the relative superposition of two pyramids. But the strange thing is why the vertices of the two pyramids are not opposed to each other to meet the meaning of the symbol, but the two pyramids are inserted relative to each other, forming a spatial overlap?

Now he knows that this overlapping part is a special space. This layer of space is probably left by the builder or designer of the altar deliberately to eliminate the influence of the static zone of time and space.

If this is the case, the power of the altar builder is incredible. The ability to make the altar fall into the static zone of time and space every time it is activated is not just a spiritual ability, but the mutual influence of spirit and material. It is hard to imagine how terrifying this person would be if someone mastered the direct influence of the spirit on the material world, and if the spiritual power was strong enough.

The black line in the sky is getting closer and closer, and the sun is isolated by the shadow, as if blocked by thick dark glass.

Before the shadow covered the altar, all the stones fell back to the ground. There were originally two layers of space where the two void pyramids were superimposed. After the stone fell back to the ground, it became a normal space, and the extra layer should have been annihilated. However, due to the close connection between this space and the spiritual force field, the fragments from the time of space annihilation were captured and recollected by the soul of Aoki Yimu, forming a new space-time bubble.

Due to the dissipation during the annihilation, this space-time bubble is much smaller than the original overlap of the two pyramids, and it is just as big as the hangar of the Swordfish.

The black line moved over the head, and the shadow completely covered them. They feel like they are living in a strange world, as if they are living in a crystal house, the outside world is real and in a trance.

Aoki slowly walked up the steps of the altar, the entire trance space was moving with them ~lightnovelpub.net~ Standing on the top of the altar, you could see the trees and weeds in the distance declining and prospering rapidly, as if Playing a nature documentary at high speed fast forward.

"Oh, so there is this way! When did you become so smart?" The crow knocked Aoki on the scalp, a little unbelievable.

It suddenly thought of something, and exclaimed, "Quah! Then, the bubble on the boat is also artificial? Wow, I said there was no such a coincidence! But... how did they do it?"

"Enough mental power is fine." Aoki stroked the wood soul in his hand, "Without the sacred rod, I don't think anyone can have that strong spiritual power."

"Holy Staff? But isn't the Soul of Fire placed in Ronald Cohen's cabin?" the crow said puzzledly, "Time Bubble is in the hangar, how do you explain this?"

"When we saw them, they had fallen out of the static zone of time and space, and time and space bubbles were no longer needed at that time." Aoki recalled and thought, "Maybe it was after they fell out of the deep well of time and space that Ronald took Fire Soul took back to his room and wrote the last words... But what is his purpose?"

"What? But he's not so old!" The crow shook his neck vigorously and fluffed his feathers to show that it was incomprehensible. "There is also..." it cried, "Then the space-time bubble again Where did it come from? Why is it still in the hangar?"

Aoki said, "Don't forget, we only saw half the soul of fire."

"Aren't the other half roots on the earth?"

"This is what Ronald said, and we cannot confirm whether what he said is true or false."

"You mean that half of the root is hidden in the hangar? And... quack!..." The crow seemed to think of something terrible, "Is there a person hidden in the hangar?"