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Manda slept until noon, but his physical strength did not recover much. His clone was still in the carriage, consuming his physical energy every minute and every second.

Yorden awakened Manda, and he sat beside Manda's bed with curly silver hair hanging down on Manda's face.

Manda opened his eyes. If it weren't for lack of strength, he would definitely call out.

Looking at this shy and nervous young man, Yorden really liked him a little bit, but he couldn't hear Manda's voice.

Damn mother, what are you doing so close to me? Manda cursed in her heart, avoided Yorden's silver hair, put on her clothes and sat up.

"The messenger's messenger, you should send me the Lord's blessing."

Manda nodded: "I want to pray for you. I have to go to the carriage and get the idols and candles."

"I have all these things," Yorden laughed. "There is a church in my castle."

"I know you are a devout believer, but my idol and candle carry the Lord's light, and ordinary things cannot be replaced."

Yorden shrugged, without stopping, Manda followed the waiter to the stable and got into the carriage.

Only when the distance is no more than ten feet, Manda can retract the clone. When the clone returns to the body, Manda breathes a long sigh of relief, feeling that a heavy bag has been removed from his shoulder.

Old Yaman took out a stack of parchment from his arms and stuffed it into Manda's hand.

Manda didn't rush to watch, he knew that Old Yaman had succeeded, and Crab really didn't let him down.

Next, he would follow the waiter to pray for Yorden. Yorden and Rek'an seemed to be very leisurely and waited in the church early.

No way, the scene must be done. Manda knelt in front of the idol of the Lord of God's Punishment, thinking about the flow of prayer.

If you pray like an ordinary god-punisher, it doesn't seem to be in line with your sacred identity. Looking at Yorden's expectant eyes, Manda speaks her mother tongue again.

"Great Hermes, please look here. The spell of the night **** is tormenting me. It is draining my divinity and my soul. Please protect me and let me get rid of this terrible spell , Please help me to keep this **** girl away from me..."

Before long, Yorden heard Manda's even and deep breathing.

"Is he asleep?" Yorden looked at Lei Ke'an.

Lei Ke'an shrugged and said: "Maybe he is listening to the Lord's oracle."

After sleeping on and off for a day, Manda finally recovered some energy. After dinner, he returned to the room. Manda took out the parchment that old Yaman gave him and smiled with satisfaction.

There are a total of eight paintings, and I don’t know if they were painted by Old Yaman or Crab. Although they are not standard maps, they are very vivid.

This painting reproduces all the scenes in the tunnel with the trajectory of a crab, which looks like a comic strip.

In the first picture, the crab hiding under the flowerbed heard Old Yaman's call and dug into the tunnel with two huge tongs.

What language do they use to communicate? Does the crab know what's going on on the ground? Or can old Yaman command the crab's actions at any time?

Manda is curious, but this is not the point.

The second painting is a scene in the tunnel. Judging from the painting, the tunnel is very spacious, and the Cancer can easily turn around inside, and there is a row of fire plates on the walls on both sides, which should be lighting facilities.

The third painting is an upward staircase, proving that this is either an exit or an entrance.

The fourth painting is a room with walls on all sides, no windows, and a door. The crab in the painting does not open the door, but sticks its feet out of the door.

Since it is a room, it proves that this place should be an authentic entrance. The Cancer did not dare to open the door for fear of being discovered, but what did it stick out the crab's feet for?

The fifth painting is back to the ground again, and the picture is basically the same as the third painting.

The sixth painting is a staircase again, proving that it has reached the tunnel exit.

The seventh painting is a piece of weed grass. The Cancer has caught a snake in the grass and is tearing its body with crab claws.

It seems that this painting is indeed painted by a crab. It should be hungry and painted all the eating scenes.

But on second thoughts, such a clever crab would certainly not paint such boring things, and this painting is very vivid, even the blood drops falling from the snake's body can be painted clearly.

Blood, Manda understood the crab's intentions.

In the last picture, the crab is lying on a huge willow tree, looking out at the castle.

The amount of information in this painting is very huge. First of all, the castle on the screen is very small and a little fuzzy, which proves that the tunnel exit is far away from the castle.

Judging from the outline, the layout of the building in the picture is the north side of the castle, which proves the location of the tunnel exit.

The last is this big willow tree. Manda has seen this crab, knows its size and can bear its weight, which proves that this tree is also big enough to be regarded as a landmark. With this information, plus the crab The blood stains left are enough to determine the location of the tunnel crossing.

It's hard for this crab to only paint, and it has to be credited with a third-class feat.

Manda stringed these eight paintings together, drew a map, and stuffed them on the island of Styx together with these eight paintings.

Worm took Manu and Ogg and joined Manda’s army a day ago. After Manda left, the army was commanded by Encia. Worm gave the paintings on the islands of the Styx to Encia, Encia. After watching for a long time, I was confused until I turned to the last map, and I didn't understand what Manda meant.

Tila said by the side: "It turns out that there are tunnels in the Wisteria Castle, but what use are the previous paintings? The last painting is enough."

Encia shook his head and said: "The previous paintings reveal a lot of information. Come and look at this castle. There is a moat around it, and then look at this room. This is an authentic exit, but this door may not be able to open. "

"Leave it to me about the moat. As for the door," Tierra laughed. "Even if it is an iron door, it can't stop Horna's supernatural power."

"Speak down, watch out for her to slap your head." After a few jokes, Encia was a little worried. Horna was in charge of the camp's outpost and guard, but it was almost dawn. She hasn't come back yet. What's the matter?

Worm asked: "When will we send troops?"

Ensia said: "We have to wait for the news from Lord Sphinx~lightnovelpub.net~We must make sure that the surroundings are safe enough."

"Wait until tonight at most," Worm said coldly, "Manda is in a dangerous situation, and if he delays for a moment, he may die."

Tila shrugged and said, "When the lord left, I said that I don't need to worry about him, and I heard that Earl Wisteria is a gentleman. As long as the lord does not reveal his identity, he shouldn't..."

"This is not what I said," Worm looked at Ogg. "This is the instruction of the great prophet."

At noon, the bruised Lion Girl returned to the camp, Ensia looked astonished and said, "I met an enemy?"

The lion girl nodded and did not speak. Moira said by the side: "Blame me for being late. I met a mad woman and she saw our camp."

Encia gritted his teeth and said to the messenger: "The whole army sets out, and immediately advance!"

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