"Please note that the host, although I can guide you through most things, there are some unique things I can't do, such as the jade seal of the country. So when the host chooses old things, once they appear For irreconcilable contradictions, I will still warn you, and I hope you will pay attention to this too!"

　　 It seems that some things are still not working, but at any rate this condition has been relaxed a lot.

　　 As for the legendary things like Chuan Guoyu Xi, hehe...Anyway, Yang Jing can't even think about it now!

　　 The loopholes in the speculation were not fully established. To be honest, this situation somewhat disappointed Yang Jing.

But when I think about it, I'm relieved. The Holy Ring once said that although the original owner who made it lived in a globally unified environment, the owner must have also thought about the issue of nationality, otherwise it would not. There are "regional" rules.

　　 Since there are even "regional" rules, it means that the original owner of the holy ring must have considered this aspect, but it should be that the consideration is not perfect, so that a loophole that is not a loophole has appeared.

　　 However, although it has not been proved that this loophole is fully established, it is not even better than before.

In the past, as long as there were old objects that might trigger the paradox of time and space, let alone the acquisition, how far did Yang Jing hide, and even spent a huge amount of experience to implement the big plan that was formulated before, and most of them They are all done by foreigners, and what they are afraid of is the paradox of time and space.

　　 And now, when I become a foreigner, the possibility of the paradox of time and space being triggered is greatly reduced. Although you can't buy those old things without any scruples, you can give yourself another choice.

　　 For example, this Baibao embedded Arhat bed. If it was before, how far it was to hide, this thing can definitely trigger a time-space paradox.

But now, the holy ring only consumes a part of the energy, and leads to another almost identical Baibao embedded Luohan bed, so I bought this Luohan bed, and let Master Ma continue to buy the Luohan bed placed in the dining hall. , Which not only satisfies my desire to acquire old objects, but also avoids the occurrence of time and space paradoxes. This is already a very good result.

However, this is obviously not worth the gain. Not only does it consume about 2% of the humanity treasure, but these treasures cannot be absorbed from this Hundred Treasure Embedded Arhat bed, which is equivalent to using 2% of the humanity treasure in exchange for it. A sea-yellow hundred treasures inlaid Arhat bed from the late Ming Dynasty.

　　 This Baibao-inlaid Arhat bed is quite precious, but for Yang Jing, this bed is obviously not as precious as the 2% humanity treasure. Not to mention that in the basement of the Hai Siheyuan, there is a Ming Dynasty bed made of red sandalwood with a hundred treasures embedded in Luohan. That bed is much more precious than this one!

　　 If it consumes natural treasures, Yang Jing will absolutely say nothing. After all, natural treasures can be supplemented, but this humanistic treasure is much more precious than natural treasures.

However, two percent of the humanistic treasures have been spent to verify such a half-established loophole, and a hundred treasures inlaid Arhat bed from the end of the Ming Dynasty was harvested. The product of this bed is not a star and a half better than the one in the canteen. Generally speaking, it is not a loss.

And in this warehouse, there is not only such a good-looking Baibao-inlaid Arhat bed, but Yang Jing also found a pair of small-leaf red sandalwood chairs, four old sea yellow armchairs, and an old sea yellow table with eight immortals. Yang Jing also found a complete set of Qing Qianlong imperial red sandalwood and cloisonné enamel, sapphire blue, and a hundred treasures inlaid with eight immortals and 12 screens across the sea in a corner of the warehouse.

　　 This discovery made Yang Jing almost happy.

In addition to the pair of small leaf red sandalwood chairs and the eight immortal table made by old sea yellow, whether it is the four old sea yellow circle chairs or the pair of Qing Qianlong imperial red sandalwood, cloisonné enamel, Ming Baolan and Baibao embedded with eight immortals and 12 screens. , Its value and preciousness are far beyond that of the Baibao embedded Arhat bed.

Yang Jing remembers very clearly that at the 2015 "Jinse Years-An Siyuan Private Collection" auction held at Christie's in New York, a set of four Ming Dynasty old sea yellow circle chairs was sold for nearly US$9.7 million equivalent to the national currency. The sky-high price of 60.64 million.

Moreover, this style of armchair is obviously different from other armchairs. First, the four armchairs have a perfectly curved seat circle; secondly, there are uniquely carved hook-shaped armrests; and finally, the backboard of each armchair is It is hollowed out and carved in three sections.

The four armchairs in front of us, no matter the appearance or the craftsmanship, are no different from the four armchairs that were sold at a high price. Obviously, these four armchairs should be from the same period or even by the same person as the four armchairs. Hands.

　　 The most important thing is that in the original time and space, there are only eight old sea yellow circle chairs of the same style in the Ming Dynasty in the world! The other four are in the hands of foreigners.

　　 And these four armchairs can be said to be the only set of four armchairs found in China!

　　 As for the set of Qing Qianlong imperial red sandalwood and cloisonné enamel sapphire blue land with a hundred treasures inlaid with eight immortals and 12 screens across the sea, its value is even more remarkable!

Also in 2015, at an auction held by Yanjing Poly, an eight-screen screen with red sandalwood and cloisonné enamel embedded with four seasons flowers in the collection of the family of French Normandy diplomats was sold for 075. The sky-high price of IWC.

　　 And the set of eight immortals crossing the sea screen in front of me is obviously higher than the set of four seasons flower screens in terms of size and workmanship. This set of Eight Immortals Crossing the Sea screen is twelve screens, four more screens than that set of four seasons flower screens, and the height is also higher, which is a full 2.2 meters.

　　 Cloisonne enamel craftsmanship, that is, cloisonne craftsmanship in China, although it originated in the Yuan Dynasty and flourished in the Ming Dynasty, especially during the Jingtai period, the cloisonné enamel craftsmanship during the Qianlong period of the Qing Dynasty reached the pinnacle of this craft.

　　 The application of cloisonné enamel during the Qianlong period was extremely wide and involved almost every aspect of daily life. Among them, the screen was one of them.

　　 This set of Eight Immortals Crossing the Sea screen is made of fine-leaf red sandalwood as the frame. The color is deep and quiet, and the patina is shiny and mellow. The enclosing screen is a five-wipe style, and each vertical material and horizontal bar form a frame and are embedded into the flower board. Such exquisite craftsmanship and materials, even during the Qianlong period, were none other than royal.

In fact, a large number of screens of this style appeared in the garden of Ningshou Palace, the home of resignation for the elderly, which was carefully designed by Emperor Qianlong in his later years. It embodies the personal goodness and aesthetics of Emperor Qianlong. It is the literati and doctor that Emperor Qianlong yearns for. The ideal of exquisite and elegant life and the spiritual sustenance of hoping for Renshou and happiness.

Its design and production also fully embodies the Emperor Qianlong’s philosophy of "three points in the craftsman and seven points in the master". It is the master of handicrafts such as carving, inlaying, chiseling, and enamelling in the Qianlong period, and it has broken the inner government. The division of labor for each work is a combination of all efforts, and it breaks through the boundaries of the utensils, and the craftsmanship is spread into the indoor space, which is a rare and exquisite work.

It’s just that this set of screens that will definitely cause a sensation after 30 years is placed in the warehouse like **** and no one cares about it. If it weren’t for Yang Jing to come here this time, this set of screens would also have the four armchairs. , The Eight Immortals table and the two top seats, I'm afraid they will all be torn down.

　　 Such precious furniture is placed here in such a mess, and Yang Jing said it was fake if he didn't feel distressed.

　　 Yang Jing asked Director Wang next to him: "Director Wang, where did these furniture come from?"

Director Wang said: "These furnitures are the same as the bed in the dining hall. They were pulled from the outside when they were broken and they were kept here for almost 20 years. I remember that I also only entered the factory at that time. It didn’t take long for me to learn from the master, and these things were pulled in from the outside. At the time, my master touched the furniture and said that these are all good things, but I have never seen where they look good. They are just some huanghuali. What's good?"

After a pause, Director Wang continued: “A few years ago, someone came to me and wanted to buy these four armchairs. I offered a price of twenty yuan, but that person couldn’t afford it. Cut, twenty. If you can’t get it, you still buy a fart! Someone came to buy it later, but I didn’t sell it. It’s better to dismantle these old furniture after they’re sold. Over the years, they have been dismantled a lot, and they are all branded into new styles. The furniture sold, and now there are still these left."

This made Yang Jing very distressed. At the same time, she was completely speechless. It is really terrible to have no culture~lightnovelpub.net~ But it’s not to blame the factory director Wang, the future generations are crazy enough to 10,000 yuan a kilogram. Sea yellow, the current price is so cheap that people are stunned, not to mention, at the end of the 1970s, the price of old sea yellow was 15 cents per kilogram. Even now, the price has not exceeded 30 cents. !

　　In the early 1980s, this kind of old sea yellow armchairs were of good quality, twenty yuan a hand, and bad ones, they were sold for five yuan!

　　 If it’s thirty years later, twenty yuan? Two million can only be touched by you! The price of such a chair is eight figures upwards!

　　 30 years later, if the factory manager Wang knew that the old furniture he dismantled could be worth millions or even tens of millions if he took out one piece, I wonder if he will have a myocardial infarction!

　　 It's a pity that I came here late. If I come a few years earlier, I might be able to save more old furniture that has been torn down.

　　 "Director Wang, if I want to buy these old furniture, I wonder if you can sell it to me? Well, I can buy it with U.S. dollars or foreign exchange coupons. I really like these antique furniture."

　　 When Director Wang heard this, his face immediately bloomed with joy. "Mr. Lynch, if you want these things, I'll call it the shots, and you can take one thousand dollars! Of course, foreign exchange certificates are best."

　　 Yang Jing said nothing, nodded at Na Yong, and Na Yong very neatly took out a thousand U.S. dollar foreign exchange coupons and handed them over...

　　PS: Bow to thank "Kunpeng 57" 600 for rewards, "Master Huoyun" 200 for rewards, "A Little Monkey" and "Book Friends 20170528081205184" for 100 rewards.