It's really hard to say whether this Yuan Qinghua Xiao Heyue chasing Han Xin's big jar and that Zhu Yuanzhang's imperial decree is of higher value.

　　 There is only one emperor’s imperial decree in the world, and there is also only one blue and white can in the world. Who do you say is more valuable? This is clearly a difficult problem between Guan Gong and Qin Qiong.

　　 In the Yuan Dynasty and even the Ming Dynasty, the number of Yuan blue and white jars was still very large. This can be seen in some ancient books and historical books. Similarly, there were many imperial edicts during the Hongwu period of the Ming Dynasty. Zhu Yuanzhang had been emperor for 31 years, and the ghost knew how many imperial edicts he had issued in his life.

　　 But whether it is the imperial decree or the Yuan blue and white cans, in modern times, they have almost become orphans. Value can only be described as hard to measure.

　　 a little cut off this uncomprehensible thought, Yang Jing continued to pick up the thatch under the Yuan blue and white pot.

The height of this large jar of Yuan Qinghua Xiao Heyue chasing Han Xin is less than 30 centimeters, and the belly diameter of Yang Jing estimates that it is also more than 33 centimeters. According to the size of this large iron box, this first layer can at least be possible. Put down four such big cans, but only one big can is placed on this layer. The space between the big can and the iron box wall is filled with thatch. It seems that the little devil knew this big can at the beginning. Value, in order to better protect this big tank, so I didn't put too much.

　　 In other words, if the bottom is not all thatch, at least there must be a big pot below.

　　 Sure enough, after pulling a few times, another big blue and white pot of Yuan was also pulled out.

This large pot is almost the same size as the first large pot, and whether it is moiré or blue material and vessel shape, it is almost like twin brothers. If it were not for the pattern on this large pot, Yang Jing really thought this second large pot. The can is also a big can of Xiao Heyue chasing Han Xin.

　　 The pattern on this large jar is a pattern that Yang Jing has never seen before, at least on other Yuan blue and white porcelain, Yang Jing has never seen this pattern.

　　 The decorative format of this large can is almost exactly the same as the first large can, and it is all drawn with imported green materials. The first layer of decoration on the neck is decorated with water ripples; the second layer on the shoulders is decorated with production value peony patterns; the third layer on the abdomen is the theme of the story; the fourth layer on the lower part is decorated with deformed lotus petals Chenbao is painted in the veins, commonly known as "Eight Major Codes".

　　In other large jars of nine Yuan blue and white figures that have been born, they also use this pattern.

The theme of the third layer is a picture of a general in armor riding a horse galloping. The general is carrying a quiver with a lot of white feather arrows in it, but the general’s hands did not hold the reins. , But the left hand holds the bow, and the right hand holds the reins of the horse. Both people and horses are vivid. And not far from the general, there was a big rock. Strangely, on this big rock, a white feather arrow was inserted into the big rock with a slight slope, half of it was inserted. !

　　 Obviously, the galloping general did not know why he just shot an arrow, but unfortunately he missed the target but hit a big rock...

　　 Although the whole pattern is not big, it is painted vividly. Whether it is the movements of the general, the look of the horse, and the shape of the big stone, the paintings are extremely exquisite.

　　 Although Yang Jing had never seen this pattern, Yang Jing knew which story the theme decoration of this Yuan blue and white jar was drawn from when he saw this pattern.

　　 Yang Jing learned a poem when he was in elementary school. It was written by the poet Lu Lun in the Tang Dynasty and Zhang Pushesai's next song. The second is the abbreviated "Saixia" song.

　　 This little poem written by a frontier fortress is a story about a general hunting a tiger. It is based on the biography of General Li, who recorded the deeds of the famous general Li Guang at the time by the historian Sima Qian of the Western Han Dynasty. The original text is: "When you go out hunting, you see the rocks in the grass, thinking that the tiger is shooting in the middle of the stone, but the stone is not the arrow, but the stone is also the stone."

　　 means: in the middle of the night, the mountains and forests are dim, and there is a sudden gust of wind, and the grass is brushed up and down by Joe; a white tiger rushes at the frogman's ups and downs in a trance. At this time, the general was galloping past the edge of the forest.

　　 Early the next morning, the general remembered what happened in the woods last night and came along the same path. He couldn't help being surprised: in the bright morning light, he clearly saw that the shot he had shot was not a tiger, but a huge rock. A sense of fear squatted there in silence, and the white feather arrow went deep into the stone ledge!

　　 This poem describes the story of Li Guang, a famous general in the Western Han Dynasty, who "galloped his horse at night and shot the bow at the stone".

　　In other words, this Yuan blue and white figure jar should be called "Yuan blue and white Li Guangye Yingong jar".

　　 This is a very famous story. It has been circulated among the people for thousands of years. I didn't expect this story to be painted on the Yuan blue and white pot.

　　 This big can is also a big can of character stories that has never appeared before, and its value is also incalculable.

Obviously, these two large pots should be a pair of large pots. Regardless of the shape, the pattern or the green material, the two large blue and white pots should be fired in the same kiln, especially the theme story. For the ornamentation, one is the story of Xiao He and Han Xin in the early Western Han Dynasty, and the other is the story of Li Guang, a famous general in the Western Han Dynasty.

　　 Whether it is the story of Xiao Heyue chasing Han Xin underneath or the story of Li Guangye Yinggong, it is a story that has been passed down for thousands of years, and these two Yuan blue and white pots are decorated with these two stories as the theme, obviously they are a pair!

　　 What is the concept of a pair of almost identical stories of Yuan blue and white characters?

Anyway, the nine Yuan blue and white large jars that have been born have different sizes. Even the two Yuan blue and white Wei Chi Gong’s single-riding savior large jars with the same theme and ornamentation have different specifications. The nine large jars of Yuan blue and white figures were produced in different years, and even the kiln workers are probably not the same batch.

　　 And these two big cans are obviously a pair!

　　If it is a single Yuan blue and white pot, its value may be measured by money, but if this pair is made, the value is really hard to say!

Some things are the more unique, the better, and the more orphans, the more valuable, such as the Chuan Yuxi, such as the preface of the Lanting Collection; but some things are the more complete the better, the more complete the more valuable, such as Dayu Jiuding, such as Qin Twelve gold people.

If there were two parties in the history of China’s Jade Seal, I’m afraid that the emperors of the previous dynasties would not have pursued the Jade Seal of the Kingdom so persistently. If Wang Xizhi wrote two or more prefaces to the Orchid Pavilion, then this calligraphy would not. Will become "China's first line of books".

　　Similarly, if Dayu Jiuding is missing one, what is it called? Also, there are obviously twelve golden men, and suddenly there are ten left. I am afraid that everyone will try their best to find the two lost golden men, and do everything possible to make the twelve golden men together. A complete set.

　　The same principle applies to these two large pots of Yuan blue and white figures.

This kind of porcelain, which was a kind of ornament in ancient times, is naturally called beautiful if it is a set. These two large pots are obviously made according to one set, so if there is no other one, only one of them will be taken out. It will also cause a sensation, but there is absolutely no shock that these two big cans were born together!

　　 Yang Jing is absolutely satisfied with these two unexpected Yuan blue and white figures. During the previous treasure hunts, the least thing Yang Jing got was porcelain. Whether it was the earliest treasure of Mu Guogong, the treasure of Gaddafi, or the treasure of the last tsar and the next few treasure hunts, almost all of those treasures There is no ancient China porcelain. Except for some extremely treasured Tang Sancai in Wu Zetian Mausoleum, Yang Jing never bought other ancient Chinese porcelains, which made Yang Jing very disappointed.

Although there are so many treasures in the treasures I have searched before, any one can be called a national treasure. But as the most representative antique of China, if there are not a few porcelains that can be obtained, it is really some Regret.

However, Yang Jing somewhat understands this situation. After all, porcelain is not easy to preserve. Besides, Chinese porcelain, especially the ancient official kiln porcelain ~ lightnovelpub.net~, is invaluable in modern times, but it was nothing in ancient times. For ancient royals, porcelain was a kind of daily necessities and decorations, and its practicality was far lower than other important materials, such as gold.

　　 Therefore, among the treasures left over from ancient times, it is inevitable that the amount of porcelain is very small or almost non-existent.

What Yang Jing did not expect was that on this trip to the Philippines, he discovered two extremely precious Yuan blue and white pots under a church in a city. This finally made up for the fact that he did not find precious ancient Chinese porcelain before. Regret.

　　 Although there are only two large jars of Yuan blue and white figures, even if they are put in the Palace Museum, they are also the treasures of the proper town hall. If these two large cans are displayed in their own museum, their weight is absolutely heavyweight.

　　 Satisfied with the two big cans carefully placed in the corner of the space, Yang Jing began to attack the next big iron box.

　　 As soon as the fourth box was opened, the eye-catching rotten thatch shocked Yang Jing again!

　　 "Could there be porcelain in this box?" Yang Jing wanted to raise her head and laugh twice. It would be great if there were still porcelain in this big iron box.

　　 I am worried that there is no heavyweight porcelain in my collection. I didn't expect to find two boxes of porcelain here at once. Is this a doze and someone gives pillows?

　　 Yang Jing carefully pulled away the decayed thatch on the upper layer. Sure enough, under the protection of thatch, there were porcelains wrapped in oil paper lying quietly...

　　Ps: Bow to thank "Very Lazy Fish" 100 for the reward.