At the end of the Spring Corridor, the corridor gradually became wider.

The surrounding light also started to turn slightly yellow from pale white, and some abstract reliefs gradually appeared on the walls on both sides. They seemed to describe scenes of ancestors hunting monsters, and every stroke was filled with the atmosphere of ancient wilderness.

Through certain features of the statues—such as fangs, bat wings, exaggerated skulls, charcoal feces, etc.—Zheng Qing could vaguely determine the identities of those monsters.

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