Chapter 372 371. The writer sharply commented on Lu Yi's transformation

  Lu Zan clicked on this report.

The writer who wrote the report was a film critic. He once criticized Lu Yi for not being enterprising, and would only stay in his comfort zone to make horror movies. Now he stepped up and saw that Lu Yi was really transformed, so he had to give pointers. Look at the country.

[. A director should have the style of a director. I admit that Lu Yi has advantages in shooting horror films and blockbuster special effects, but in the field of literary and artistic movies, he is still a newcomer, and Lu Yi’s previous film style is obviously different. Suitable for literary and artistic movies, his attempt will inevitably encounter setbacks]

  【. To put it simply, I think Lu Zie’s approach to filming a new movie is based on his own past achievements. He has expanded. In fact, are Lu Zie’s films really good? If the box office is high, then is it good, can it be said that the quality of those superhero movies is better than classic movies? 】

[. Lu Kie’s film can get such a high box office, because the domestic audience has long been influenced by European and American movies, and his film quality is not as good as the current results. In other words, it is virtue. Not coordinated.]

【. I am not optimistic about Lu Yi’s work, not because of personal likes or dislikes, but because of rashly stepping into a field that he is not familiar with, which will definitely lead to failure, and Lu Yi is now praised so high by the domestic industry, if he is If you fall down, others may think that domestic movies are not good. This is a serious blow to the domestic film industry that has just started! 】

  After reading this report, Lu Zie was a little confused.

Previously, Lu Zie said that he was self-proclaimed and immersed in his comfort zone. It was this person who was reluctant to try new themes. Now it is this person who said that Lu Zie changed his style and tried new themes. It was the same person who was arrogant. All good things and bad things are left to you. This three-dimensional defense.

  This article has aroused a lot of attention and discussion. There are mostly three attitudes of audiences and industry insiders about Lu Yi’s new film.

  The first is to look forward to Lu Yi’s new work. I feel that Lu Yi, who has been so good in every movie since his debut, will definitely be able to create brilliance in a new field.

  There is another kind of view that is similar to that in this report. I feel that Lu Zie will definitely overturn. He is a horror film director and knows a fart of literary and artistic movies?

  The last type is passers-by. They think they still have to wait for Lu Zin's movie to be watched. After all, he has not shown his level before. Standing in line in advance is easy to be beaten in the face. This is also commonly known as the wall rider.

  The production of the film is carried out at the same time on both sides.

  The market for the entire movie is about 120 minutes, and the first 100 minutes are all about growth, healing, and warm travel.

  And the end that follows takes a sharp turn, reflecting the cruelty of the world.

  At the end of March, within the deadline for submitting the exhibition, "No War in Spring" finally completed the final production work.

  Bai Qiquan watched the film they finished again.

  I always feel something is wrong.

   "This movie seems to be a little bit short, but it feels like it's a breath away."

  Bai Qiquan muttered to himself.

  This movie, if viewed as a youth romance film, is quite excellent. It shows the young girl’s youthfulness, growth, throbbing, and regrets very clearly. The picture is very good, the scenery is excellent, and the plot is slack.

  But, is this kind of movie really made by Lu Zie?

  In the words of Bai Qiquan, this movie is too plain.

  Although I know that art films are so plain and plain, it’s true that I can’t let people watch the art movies falling asleep are not good art movies, but is this movie really Lu Zin’s style?

  Is it possible that Director Lu was really stimulated?

  After completing the registration of the film, Lu Zin released the first trailer.

  Bai Qiquan did not touch the production of the trailer, so it was the first time he saw this trailer.

Click    to open, the first thing you hear is the piano sound, soft, gentle, bit by bit, deeply rooted in the hearts of the people.

  The picture lights up, and a cherry blossom covers the field of vision.

  It was the cherry blossoms falling all over the sky. The gentle spring sunshine shone on the girl, she was more dazzling than the sun.

   "Since I was a child, my family told me that you will go to the shrine under the sacred cherry blossoms and become an existence above all people."

The entire trailer is composed of a girl’s monologue. She walks on a spring day when the cherry blossoms are falling, practicing archery in the scorching summer, and the maple leaves are dyed red. She makes tea in an elegant posture. She wears red and white in the snowy winter. The girl in the shrine maiden dress looked up at the snow flakes like catkins.

  Bai Qiquan was stunned for a while.

  Not only because he watched the movies they made and learned about the girl’s later experiences, but also because of the strong expressiveness and sense of substitution in the picture.

  With the background sound of the soft but not noisy piano sound, it makes people feel like a relative who grew up next to the girl, watching her grow step by step and become an outstanding person step by step.

  In this trailer, the girl's feelings are vividly reflected. Although it is just some daily scenes and trivial life chores, all things are done by beautiful girls, which makes people feel pleasing to the eye.

   "To be able to create such a girlish scene, Director Lu is really amazing."

In Bai Qiquan’s cognition, male directors generally pay more attention to visual presentation under a large frame, and the purpose of the lens is stronger. Like a boy visiting a shopping website, he usually searches for the target product directly, and places an order and pays in one go.

  Such a lens will appear very "hard" and is easy to analyze and deconstruct.

The emotionality of the female director’s shot is more important. Sometimes, the shot is just a carrier, and meaningless shots will also appear in the film. At this time, the emotions will be expressed through music, the artistic conception between the front and rear images, etc. When you When I think this scene is meaningless, maybe the director really didn't think about anything at the time, so he just thought it should be put here and put it.

  This kind of lens will be a bit softer.

For example, in this trailer, the change of the four seasons of spring, summer, autumn and winter, if you switch directly, it will make people feel, "Oh, this is to show the heroine’s past experience", but Lu Yi cleverly inserted a lot of scenery into it. Many shots of insects, vegetation, and flowers where no one appears. In fact, these shots won’t be inconsistent if they are replaced with others, it looks like they’re trying to make time.

  But in fact, these images have successfully eased the mood of the audience. After watching the clips of the four seasons, the audience will only feel that she is so beautiful, she is so cute, and she is so gentle.

  I have to say that after watching this trailer, Bai Qiquan feels that he has completely fallen in love with Amber.

  (End of this chapter)