Chapter 374 373. Lu Zin is nothing but that!

  When Ms. Merritt Leslie in France got the copied CD, she had already seen several heavyweight works to be selected this time.

Including a film from a director from the Middle East that tells the protagonist who goes to jail because of debts and intersects with his autistic son and girlfriend. There is also a film where the father continues to commit crimes and struggles to find his missing son. , There is also a movie in which a woman takes a train for an extramarital affair and has to spend a long time in the carriage with an Eastern European miner.

  Most of these films focus on human nature, family affection, self, crime, and are very artistic.

And most of the films are the works of non-European and American directors. The works of non-developed countries such as the Middle East, Eastern Europe, and South America are the mainstream. In the shots of these directors, their hometowns are shrouded in a layer of mystery, full of primitive wildness. Movies with exotic scenery dominate the mainstream.

  Of course, the narratives of most films are relatively dull, usually one or two people talking in some very dim scenes some plausible riddle-like dialogue, and then mixed with violence, **** and other elements.

  According to Ms. Merritt’s idea, this year's Palme d'Or should be produced in these films.

  As for "No War in Spring"?

  Sorry, I’m really unfamiliar.

She originally wanted to fast forward and finish watching it, as if she had watched this movie to deal with each other, anyway, in Ms. Merritt’s expectation, this movie is nothing more than some personal heroism and machismo, and then matched with beautiful girls. Graceful and gentle, like those superhero movies that make Ms. Merritt vomit when you smell it.

  This kind of movie cannot even be nominated. It is not worth wasting time.

  However, in the evening, her colleague, Professor Michael Vivo, also a film critic, sent her an email specifically.

"Dear Merritt, I think you must watch this "No War in Spring". This work is really perfect. If there is any work this year that can be called art, then I think it must be this. One, I can’t explain more to you. This is a work that can make people feel and heal from the bottom of your heart. You must watch the whole work. Oh my God, I’ve never felt such a shock before, I dare I assure you that this is a work that you will not regret after reading it, and that you will recommend it to others!"

  Professor Michael is not a typical outgoing and enthusiastic Frenchman, so Ms. Merritt was surprised when he saw him describe a work like this.

  He is not someone who can praise a bad film with these words.

  Is "No War in Spring" really good?

  Ms. Merritt came to the screening room of her house and suspiciously put the CD into the computer. She poured herself a martini first, and then closed the door.

Before she divorced, she had no children. After the divorce, she lived alone in a single house on the outskirts. The unique dampness of the French countryside invaded the moss of the root wall during this season. The large farmland was filled with white mist, which was a night suitable for drinking. .

  A glance at the scenery outside the window, Ms. Merritt closed the curtains and pressed the play button.

  At the beginning of the film, it was a dark night.

  In the dark night, something is creeping forward.

  In the dim night, Ms. Merritt saw that it was a group of monsters.

  She has never seen these monsters before, and each one is distorted to the extreme, like a painting drawn only by a drunk addict. Just a glance is enough to shock the soul.

  She was a little dizzy for a while.

   "Michael that bastard"

  Ms. Merritt couldn’t help but cursed. Could it be that the old man let herself see it because of the horror scene at the beginning?

  Is he so boring! ! ?

  However, the monster scene at the beginning made Ms. Merritt even more certain. This film is just another commercial film, and it is also the most despised horror thriller of their art.

  She picked up the wine glass, took a sip, rubbed her temples, and stabilized her spirit.

  Monsters raged in villages on the island, devouring humans.

  Compared with the violence between human beings in ordinary movies, this kind of wild human struggle with nature is more shocking. Even though Ms. Merritt is so knowledgeable, she couldn't help being frightened, her fingers squeezed the wine glass tightly.

  At this time, a pale flame came from the sky, like an arrow, falling into the monster.

  The whole world lights up.

  Those ferocious and twisted monsters were burned by flames, connecting vegetation, villages, and earth.

  Everything is reduced to nothingness in the pale flame.

  Only a few surviving villagers and children were left. They boarded the boat and drifted away.

  One of the children turned his head and looked at the island where he was born. That island was burning, reflecting the child's profile.

   At the same time as the transition, the subtitles also briefly introduced the background of the world in two sentences.

  Ms. Merritt did not know about this work before, but after reading this paragraph, you can probably figure out the background of the story.

   "So, it should be this kid who took the journey with that witch when he grew up?"

  Ms. Merritt has read countless films, this kind of expansion is still easy to guess.

  The transition is over, and after the title is typed out, the entire screen lights up.

As the spring scene in the trailer came with cherry blossoms, Ms. Merritt took another sip of wine. While she felt a little bit drunk, the lovely warmth of spring burst out of the screen, and people on the street came and went. , Hustle and bustle, a sense of life.

The protagonist walked on the street with a few mercenaries with him, saw the merchants who set up the stalls, saw the children playing, saw the woman walking under the falling cherry blossoms under the umbrella, and saw the goods carrying goods. Young coolies, women who coax their children to be quiet.

  With just a few shots, the atmosphere of the entire town can be seen at a glance.

  The protagonist and his companions came to the door of the most magnificent building in town, under the guidance of the maid, walked into the courtyard and shuttled through the cloister.

  At this time, the protagonist seemed to feel something in his heart, and he raised his head to look around.

  The camera moved with his perspective. In front of the window sill of a building, a black-haired woman was watching here.

  Ms. Merritt recognized at a glance, this is the heroine of the trailer.

  It’s just that the heroine at this time gave her a feeling of coldness, indifference, and alienation.

  The protagonist was just a glimpse, and soon turned his attention away.

  At the same time, the eldest sister next to her explained that she was a genius maiden and was the hope of the whole Wada.

   "Old-fashioned."

  Ms. Merritt couldn’t help whispering, she has seen too many stories of this kind. The templates for road films can be used in both commercial and art films. It seems that Lu Zie is an ordinary director, but so!

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  (End of this chapter)