Chapter 388 387. Pressure comes to the Golden Bear

  Just as Lu Zin got the prize in Cannes and got soft, the Berlin Golden Bear Jury became distressed.

  According to current normal rules, the three major film festivals cannot be attended at the same time.

  In other words, if you want to get the awards of the film festival, you must premiere at this film festival. Therefore, in the past ten years, no film has won the awards of two film festivals at the same time.

  This is somewhat mutually exclusive.

  After all, according to the standards of the judges, if a film wins the Palme d’Or, it should not win the Golden Bear or the Golden Lion.

  After all, literati are always a little lighter. If you think it is good, I must pick a bit of thorn, otherwise I always feel that I am judging awards with your style.

  But this time, "No War in Spring" made the Golden Bears judges a little confused.

  These judges have all seen this film in France, and they were naturally shocked.

  If "No War in Spring" premiered at the Berlin Film Festival, then there is no doubt that Lu Zizan would have all the relevant awards for the Golden Bear, and he would give it as much as he wants!

  But now, the Palme d’Or is one step ahead and the grand prize is awarded.

  What about our Golden Bear Award?

  You have to say that Lu Zin will not be allowed to participate in the exhibition. Then the quality of the works of this year's Golden Bear Award is less than a dozen Golden Lion awards than the Palme d'Or?

   But if Lu Yi is allowed to participate in the exhibition, wouldn’t it be said that the Golden Bear’s aesthetic is not good, and he will only follow the trend?

  The judges are entangled.

  Of course, they compromised in the end.

Imagine if future generations look back at the works of this year’s three major art film festivals and find that the Palme d’Or is "No War in Spring", and the Golden Bear and the Golden Lion are other films, would they be against the Golden Bear? Doubts about the level of review?

  What’s more terrible is that in case the Golden Bears did not allow "No War in Spring" to participate in the selection according to the rules, the group of Italians who eat potatoes every day made an exception and let "No War in Spring" win the Golden Lion Award.

  Then where does the face of my Great Germany end?

  Thinking of this, the judges accepted the candidate for "No War in Spring".

  Of course, "No War in Spring" can sweep Cannes, and naturally it can sweep Berlin.

In July, the Golden Bear, which is rarely held in the summer, completed the Grand Slam of "No War in Spring" and won the Golden Bear for Best Picture, Silver Bear for Best Director, and Best Lead and Best Screenplay. Several major awards within.

  At this point, the journey of "No War in Spring" in the three major art film festivals is left with the Golden Lion Award in Venice.

  As the film is successively released to the public in various countries and regions, more and more people are feeling what is called "land-style healing".

  North America, the "New York Times" special commentator commented on Lu Yi's work:

"No War in Spring" is a movie that guides people to feel hope by showing despair. Just like many war movies, although the details of war are portrayed in detail, they actually evoke the cruelty of war. The public’s fear and aversion to war have achieved the goal of anti-war, and this film directed by Lu Kie, undoubtedly, is triggered by the meticulous description and portrayal of a world full of despair and the destruction of beautiful things. The audience hates and fears such a world, so they cherish the existing world more and are full of hope for life. Therefore, it can be said that this is an anti-despair movie!"

  UK, The Times interviewed a professor of imaging and communication at the University of Cambridge and asked her about her views on "No War in Spring", she said:

"No War in Spring" is an experimental film that the audience, director, actors, and actors participated in and completed together. After the audience watched the plot, they became a part of the plot, which was performed by them and other unwatched audiences. Based on the content of the plot, director Lu Yi used delicate emotions, gorgeous pictures, and cruel plots to make the audience empathize, and achieve the current effect. It can be said that such a script may be available in the future, and such a director may There will be such actors in the future, but the three overlap and can achieve perfection. Only this one is "No War in Spring"."

  Island, as the country with the most similar background and island in "No War in Kasuga", their report "Yomiuri Shimbun" angered Lu Yi's film.

"Although the island culture shown in "No War in Spring" is impeccable and fully embodies the beauty of mourning, it is by no means the same as the island government and our government. Our country will not deceive and cruel innocent girls like in the movies. Behavioral, Director Lu Yi’s innuendo satirizing my country’s traditional culture through the film is a sacrilege of art!"

  Of course, curse, curse, "No War in Spring" quickly won the first place in the island country's box office. Coupled with the island nation’s heavy mentality, the box office has risen steadily and quickly reached the number one position of the year.

  The reporter of "China Film Report" Wang Qing had the honor to interview Lu Zin and wrote a brief interview.

  Q: Director Lu Kie, what do you think of the international praise for "No War in Spring"?

  A: I think art knows no borders. This movie allows everyone to feel similar things, transcending culture and country. This shows that our human civilization has certain commonalities. These commonalities are the bonds that maintain our society.

  Q: What do you think of the bad reviews made by the official media of the island country?

  A: What I show is the style of the island. It may have similarities with the country in reality, but it is actually completely different. I can only doubt how idle some people are when they sit in seats.

  Q: Some people say that you are a domestic director, but you use the background and culture of other countries to make movies. You are suspected of admiring foreigners. What do you think?

  A: The story needs a suitable carrier. This story takes place in Hedao. This is something that neither you nor I can change. I can't hypocritically tamper with what has happened. My best quality is honesty.

  Q: Some critics said that you used the label of healing, but you showed an extremely cruel story, suspected of using these propaganda to deceive the audience. What do you think?

A: I don’t think this is conflicting. There are a thousand Hamlets for a thousand readers. Some people think that my movie is cruel, some people think that this movie is healed, and some people think that the ending of this movie is not dark enough. Because you can see many different things from one ending, the story can only be pondered and tasted.

  Q: The last question is about Amber. Her actor has not shown up. Is this some kind of publicity or performance method?

  A: How about I let her answer this question in person?

  Q: Then, where is Miss Amber?

  A: She is here.

  *

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  (End of this chapter)