Chapter 522 521. Mixed sorrows and joys

   In a group related to a film and television practitioner in China.

   On May 1st.

  Lu Kizuna's announcement of the release of the new film is like a New Year's Eve to the people in the circle, full of joys and sorrows.

The happy thing is that there are new good movies to watch. A movie by Lu Bian will be watched repeatedly by people in the industry, and the film will be analyzed. Whether it is the acting skills of the actors who are natural, as if they are in the film world, or the magical, like The special effects of the real occurrence record, or the rich and perfect details, just like the worldview brought from another world, these are all worth learning by practitioners.

   Even the performances of Amber in "No War in Spring" and Gudu in "The Mouth of a Madman" have been included in the textbook content of film and television performance.

Many actors in the acting school try to present such complex and natural acting skills, but they are slightly inferior, because this is a very contradictory state. When you try to perform, you lose your naturalness, and when you try to return Naturally, the focus of the performance is lost again.

  For example, in crying performances, we all know that weeping means weeping, but how to shed tears, how many tears we shed, whether to snot together, and how loud we cry, are all important.

Not to mention those little fresh meat who need eye drops to cry, even experienced actors generally have several common crying methods. For example, the crying method of dead parents may be used for dead lovers. In terms of plot, the difference is not bad, and the general audience can't tell the difference. . .

   Some are more delicate, they will try to figure out the mood of the characters and show subtle differences.

But just like a thousand readers have a thousand Hamlets, everyone's perception of the same situation is different. Some people think they don't cry hard enough, while others think they cry too hard. There are always various opinions. to criticize the actor's performance.

   In Lu Kian's movies, no one can judge the acting.

Even if no one has ever seen what a person with firm belief looks like when they are burned by flames, when they see the mages sitting on the torches burning themselves on the tower, all the audience will not Will question the pain they endure and the beliefs they hold.

   There are two styles of performances, one is to make the audience feel empathy by objectively reflecting the reality, and the other is to make the audience unheard of by creating a virtual situation.

  The former is mostly used in works of realistic themes, which is resonant, while the latter is mostly used in the field of fantasy, which attracts reverie.

   Lu Kizuna's movie is undoubtedly the latter.

There are so many things that can be studied in his works. It can be said that as long as you can learn 30% of the skills in Lu Jian's films, you can make a blockbuster commercial film, and you can learn 30% of the skills. Of the fifty, winning the prize is totally fine.

   The reason why there is still sadness in the films of Lu Bian is that Lu Bian's works will greatly increase the audience's aesthetic upper limit, and at the same time, it will squeeze everyone's wallet.

For example, in some prime schedules, if Lu Bian's films are released, most of those films will be cold at the box office during the same period, and they can only compete for the second place. Maybe it is not as high as the family-friendly cartoons, and Lu Bian's filming No matter how good the filming of similar films I have ever made, it is inevitable to compare it with Lu Bian's works. In this comparison, the special effects are not as good as others, the atmosphere is not as good as others, and the acting skills of the actors are not as good as others. You can only rely on the reversal of the script to win a little bit. Advantages, and the box office is 100% inferior to Lu Han, thankless.

   Therefore, there is a saying in the circle of some practitioners: "Lu Bian has left us with not many subjects."

Fortunately, Lu Jian usually shoots some fantasy themes, horror, thriller, adventure, suspense, and has not touched on content such as emotional love, celebrity biographies, youth growth, business war games, etc. The film and television practitioners who focus on these themes are temporarily You can rest assured.

In the    group, there was a lot of discussion in the face of Lu Kian's just released trailer.

  [Hengdian Xiaozhi]: Lu Bian is going to challenge the extreme of special effects, it's a disaster movie, it's fortunate, our group has no plans to touch these things recently, and escaped the disaster.

[Ordinary screenwriter A Xiang]: I actually think that disaster films have limited Lu Bian's performance. As we all know, his various works are linked together. The world view and the gods behind it are the core attraction. The industrialized routine mode of disaster films is not suitable for him to play.

  【Movie Brick Breaker】: Indeed, the mode of disaster films is too fixed, and you can think of how to shoot with your eyes closed. Lu Jian’s biggest expectation is only the special effects.

  【Bean Paste Popsicle】: But one thing to say, the volcanic eruption effect in this trailer is quite good. I have been fortunate enough to have seen an active volcano before, and the magma inside is indeed such a texture.

  【Yannan Xiaoliu】: Huh? volcano? Isn't it a super typhoon?

  【Actor Zhao Kuo】: ? ? ? Isn't it a big earthquake?

  【Movie Brick Mover】: No, I watched the trailer as a tsunami?

   The people in the group were suddenly stunned.

   They opened the web page one after another and searched again.

   I don't know if I don't search it, I search it, good guy.

  Lu stumbling uploaded four trailers.

  Volcanoes, earthquakes, typhoons, tsunamis, different natural disasters correspond to different trailers. Although the modes are similar, the special effects are completely different.

   These trailers are distributed according to different logics, which causes many people to see different trailers if they randomly swipe them.

  【Movie Brick Mover】: I've grown up so much, I really haven't seen this battle, is Lu Han planning to film the end of the world?

  【Ordinary screenwriter A Xiang】: It's a bit exciting. How many years have there been one disaster film of this level, and it used to be the privilege of foreign countries. Now we can make it too.

  【Bean Paste Popsicle】: I am the only one who is curious about how Lu Han will end up with so many guys coming together?

[Yannan Xiaoliu]: This is a gimmick, you think, a normal disaster movie, you probably know that the protagonist is going to save the world after watching the trailer, but this movie, when you watch the trailer, will only get more and more desperate. Can't think of how to win, so why don't you just go to the cinema to see it?

  【Hengdian Xiaozhi】: Hey, this child is so terrifying.

Lu Bian's four trailers were quickly known to everyone. After all, in the Internet age, you can find it with a search. Various public accounts and the media are also frantically gaining popularity. Every scene of the trailer is pulled out and analyzed, and then some of them are up. The analysis was copied by other public accounts, and the plagiarized public accounts were copied by other public accounts, and many disputes were also caused.

   It didn't take long for an integrated article to appear on the Internet, claiming to have fully interpreted Lu Bian's new film.

   "The Ten Thousand Characters Interpretation of Thirty Details of Lu Han's New Film [Doomsday]".

   (end of this chapter)