Latest URL: On the second day of shooting, Kazuma found that the script had been changed.

In the new script given by the deputy director Aung San, the chase part directly wrote "car chase scene, the film can be cut into ten minutes of material".

Kazuma couldn't help but glance at the Great Bear Bear sitting in the director's booth. This uncle is reading the newspaper with his legs up.

——Does this mean that I have completely decentralized to toss me?

Kazuma was thinking about it. Producer Nagata came over and said in a low voice, "This is the meaning of completely delegating power to you."

Kazuma: "I know."

"So, come on." Producer Nagata gave a thumbs up to Kazuma.

Kazuma curled his lips-I just watched the girl fight so hard at first, and wanted to at least not let her fall too badly. How did it feel that I was tied to the chariot?

If this is smashed, I probably won't have the chance to come to the set to make troubles.

However, this is also very good, Kazuma originally didn't want to make a movie, he was going to follow the police route.

After some psychological development, Kazuma went into battle lightly, what should I do and continue to do what I do, no matter what else.

"Come on, here is the No. 1 camera." Kazuma began.

Then I took this shot for an hour, and finally I arrived at the first place where I wanted to take a slow motion with a high-speed camera.

This is the end of the entire car chase. According to the concept of Kazuma, the heroine landed steadily, and the dragons were slow-moving all around. Anyway, it was a Matrix-like concave shape.

After Kazuma finished his conception, Fang Shan Zhishi asked puzzledly: "Do I really have to do nothing? Just stand with a concave shape?"

Kazuma thought for a while, waved his hand to find the scene: "You guys get a fan and blow at her from this direction."

Fang Shan knows the world: "Huh?"

"Huh what? Then don't you move?"

"Is it the movement of hair and clothes?"

Kazuma ignored her and continued to explain to the scene: "It's best to blow up the skirt a little bit. It can't be blown up completely, it's best to blow it until the thighs are exposed and the white is about to be seen. "

Fang Shan Zhishi: "Today I am wearing blue and white..."

"Okay, very energetic!" Kazuma interrupted Fang Shan, "but I can't show it."

Field Affairs: "It's up to the sky whether this requirement can be fulfilled or not."

Kazuma shrugged: "Then take more film, anyway, the budget is not bad for the film money."

The instructions of Kazuma were quickly executed.

The first time I filmed Kazuma for more than half of the time, I shouted "Ka", and then under Fang Shan Zhishi's expectant gaze, he walked towards the actor who played the villain's tale.

"When you fall, you should pay attention to your styling and come with props. In this position, you have a whole row of bicycles, and you will fall on the bicycle with the beater B. You have to knock all the bicycles down like a bowling ball. Come on." He patted Long Tao on the shoulder, and returned to the camera under Fang Shan Zhishi's expectant gaze.

In this way, the dragon sleeve fell seven or eight times, and Kazuma achieved the effect in his mind.

"Very good, that's it. This is the last action scene of the car chase. What is the next action scene?"

Fang Shan Zhishi ran over: "Wait a minute, it's over?"

"Ah, it's over, it's starting to move, you hurry up to touch up makeup."

As soon as Kazuma put Fang Shan Zhishi to make up, the deputy director Aung San came over with the script: "The next episode is an indoor battle, the content..."

Kazuma took a look at the script, and it was again "an indoor battle scene material that can be cut into fifteen minutes."

Yes, let's play at will.

Kazuma has never been filmed before. I don't know that the material I shot yesterday can be cut out for a few minutes of film. Anyway, he just made it according to his own ideas.

Soon a group of people arrived in the studio, Kazuma suddenly had an idea.

"Come on, after this martial arts show, there will be a confrontation with the boss. I feel that the audience may be a little tired after watching the car chasing, and they may be a little tired when playing indoors.

The deputy director Aung San asked suspiciously: "I'll ask Supervisor Sang, after all, it would take him fifteen minutes here."

Kazuma nodded, and the assistant director trot away immediately.

Kazuma watched the assistant director leave with his arms akimbo, and then turned his eyes to Nanjo, who was watching the lively side by side.

The servant of Nanjo's family brought props such as parasols. When they were shooting the location of Kazuma, she was sitting and drinking tea under the parasol next to her. It was called elegant.

Now the parasol was put away, but the table, chairs and so on were moved indoors by the servants.

This time not only Nanjo came here, but Mikako and Jinguji Tamamo, who didn't come yesterday, came to join in the fun. A group of real high school girls in sailor uniforms and school uniforms occupied a corner of the set, leisurely drinking tea, snacks and chatting.

People who don’t know think that there are big-name female stars who come to play their big names.

The deputy director Aung San came back soon, and Dao Yuan nodded to Kazuma: "The supervisor said it was okay, no problem. He will adjust the length of time."

"Okay, then you all come here. Let me talk about how to shoot below. The heroine enters the room, and she comes in through this door, and then is ambushed. You two rushed out to capture her.

"Then she lifted her leg, kicked you all back with her volley."

Kazuma originally wanted to demonstrate by himself how to volley, but his karate level is not high, and he can't do such magical skills.

He was scratching his head when he suddenly saw Butler Suzuki from Nanjo appear.

So Kazuma dropped the people who were still waiting for him to tell the play and ran over, and "borrowed" Suzuki Butler.

"Master, you are like this, raise your foot once, don't change your foot, and kick the person who is flying from two directions."

Butler Suzuki nodded directly: "I understand, but the demonstration doesn't require real people. I'm afraid I will kick them. You throw bricks at me from two directions at the same time. I will demonstrate."

Kazuma clapped his hands: "Okay, hurry up and get in place. Prepare two bricks for field affairs."

After everyone was in place, Kazuma used clapping hands instead of hitting the board: "Aikesh!"

The two brawny men in the prop group who had been on standby for a long time threw two prop bricks at Father Suzuki.

As soon as the old man raised his head, there came two rounds of kicks and kicked both bricks into the air.

Kazuma always feels that this is a bit wrong with my imagination, but it is also pretty cool so it doesn't matter. He pointed to the old man Suzuki and said to the stand-in: "Follow this, understand?"

The stuntman frowned: "I shouldn't be able to do it this fast."

"It's okay to be slow." Kazuma said hurriedly.

The old man is a 67-level karate, and most people can catch up with his speed and strength, then hell.

The stuntman nodded: "Okay, leave it to me."

Fang Shan knows the world: "What about me?"

"You are responsible for taking close-ups when you enter the door, and slow-motion close-ups after this shot is over." Kazuma said.

"I'm just a concave shape again? I want to try this!"

Kazuma gave her a suspicious look: "Can you do it?"

"How can I know if I don't try it?" Fang Shan Zhishi said.

Kazuma glanced at the entry above her head, thinking that she was desperately trying to do it well.

"Okay, you can try it once. Let's use this foam brick and put it in place."

Fang Shan was in place happily after knowing the world.

Then she was hit by a plastic brick without accident, and fell over before standing still.

Butler Suzuki did not leave after the demonstration. Standing next to him, he might want to provide some suggestions at any time. At this time, he looked at Fangshan Zhishi who fell on the ground and shook his head: "This lady, just don’t have the basics of martial arts training. Is there no foundation?"

Associate director Aung San said: "I've learned pop dance and ballroom dance for the time being. It's a few of those who have learned this kind of ballet with high body shape and control ability, right?"

Butler Suzuki gave an "um" and said nothing.

While Fang Shan Zhishi was taken by the on-site medical team to treat the thigh strain, Kazuma finished the stand-in scene, calling Fang Shan Zhishi, who was still limping on foot, into a concave shape.

"Are you okay?" Kazuma looked at her leg with some worry.

"The doctor said it's nothing serious, it's a bit painful, and it will be greatly relieved tomorrow." Fang Shan Zhishi looked very disappointed, "but there will be bruises, so tomorrow I will start to lengthen the skirt to prevent the bruises from being too obvious. ."

Kazuma is staggering.

He originally wanted Fangshan Zhi Shiwa to have a POSE like Lu Huiguang's Chaotian word horse in "Drunken Fist 2". Anyway, a B-level film would serve the audience, but now he can only give up.

But then again, that Chaotian word horse is not something ordinary people can easily dent, but Kazuma takes into account that Fangshan knows the world has a BUFF, maybe it can try to dent it.

Kazuma finished the play of Fangshan Zhishi in a few words-anyway, she was just concave in front of the high-speed camera, simple.

The scene in the conception of Kazuma is all on the dragons who fly out to land.

Because it is an indoor studio, there is a small platform on the ceiling for the camera to shoot overhead. Kazuma lets people move the small platform over, let the two villains jump down from the small platform, and the camera captures the moment they land. , The editing is the feeling of landing after flying out.

After the first filming, Kazuma always felt something was missing.

He thought for a while and understood: "Prop group, get something that can be knocked down, and pile a pile of empty oil drums in this position."

The actor who played the dragon armor immediately showed a crying expression: "You won't want me to jump on this pile of things, right?"

"There is still a buffer, how good." Kazuma didn't care, "show some basicity! Just like that, you still want to drive...and want to make a movie?"

Long Tao had an expression of resignation.

Kazuma turned to another dragon set who was scheduled to fly out, and said: "You, let the props build a wall later, you hit the wall, and then slide down the wall."

As soon as Kazuma was finished, the props team pushed the wall over—it turned out that there were wheels under the wall, which can be pushed around, which is convenient for reconstructing the structure of the indoor studio at any time.

Morita, who is in charge of the props, asked Kazuma: "Do you think this wall is okay? Or should I change it to an iron material? The sound will be a little louder when it hits."

This last sentence is obviously a gleeful ridicule. Most of the ambient sounds in the movie are dubbed later, and there is no microphone to record even if it hits again.

Kazuma did not respond to the ridicule, and directly said to Morita: "You hang a clock on this wall."

"Okay, what kind of money do you want?"

"When you want to tell the time on the hour, there will be a cuckoo coming out of the clock to call cuckoo cuckoo."

Morita scratched his head: "Want to... this kind of?"

"Why, can't you get it?"

"This...In this way, I'll go to the children's movie studio next door to see and borrow one. They should have this kind of gadget."

"Well, go quickly."

I waited for another half an hour to wait for the clock to arrive, but anyway, the reservation was to shoot material that could cut out a 15-minute film, so the shooting time for Kazuma was originally very much, and it didn't matter to waste a little.

When the clock was brought, Kazuma had already directed the props team to re-adjust the furnishings in the studio.

When I think that the two of them will finish dancing later, most of these furnishings will be knocked down, and if they can't be re-arranged again, Kazuma feels painful.

He won't be involved in the re-positioning, let the props team do it himself, even if the details are a bit different from the Kazuma personally directed the pendulum, he plans to close one eye.

"Not only does this clock have to be hung up, you also have to have the entire mechanism. Later, when these two people fall to the ground and'still', everything falls down, and after the dust settles, you can let this clock fall down by itself. On the ground, start telling the time."

This set of Kazuma is a very common way of expression, and later movies dealt with it in this way.

For example, in the classic elevator hall battle at the bottom of the building in "The Matrix", after a fight, after Neo and Tritini got on the elevator, the picture did not cut away immediately, and the empty elevator hall was still filmed. A wall that had been beaten up smashed and collapsed.

But in this era, this technique is generally still used in "cartoons", such as "Cat and Mouse" and "Bunny Bugs".

Movies generally only use these techniques in comedies.

But Spielberg also used a lot of cartoon techniques in the serious action movie "Indiana Jones", adding some comedy effects, and it turns out that the audience is very enthusiastic about this set.

The idea of ​​Kazuma made the props team busy again, but this time they finished it in only three minutes: they tied a rope to the clock and pulled the rope from behind the wall, so the clock was actually The rope of the same color on the wall was hanging, and when the clock fell, the man behind the wall let go and it was done.

As for the cuckoos jumping out and calling, this clock was originally designed as a remote control, and it was used for comic effects on the next studio.

After everything was prepared, Kazuma announced their respective positions.

"Aikesh."

Although Fang Shan Zhishi was very dissatisfied with the fact that he only used concave sculpting, he still dented the sculpt very professionally.

The fan whizzed at her, lifted up her sailor suit lapel and skirt, to be honest, wearing a thin sailor suit in the winter was blown by the fan, it was cold.

But Fang Shan knew the world completely unmoved.

Kazuma only glanced at her, focusing on the villain's side. After all, whether the villain fell well or not is the criterion for judging this scene.

Fortunately, the two fell very dedicated this time, and the one who hit the wall also bounced on the wall very professionally before falling to the ground and rolling a few times.

Kazuma waited for the pile of things hit by the dragon armor to fall to the ground before it signaled: "Clock, let go!"

The clock on the wall fell to the ground, rolled several times and stopped, and then the cuckoo started to chime: "Cuckoo Cuckoo..."

"Good! Card!"

Kazuma was excited about the end of the scene, and the chairman's voice came from behind: "Kazuma classmate! Master! It's time to go home to review!"

Kazuma turned back and said: "Okay, got it!"

Then he glanced at the watch in the studio and muttered: "It's only eight o'clock..."

To be honest, it was fun to make a movie for the first time.

Kazuma is a bit reluctant.

But Jinguji has always made sense. In order to be admitted to the University of Tokyo, I should go back to study.

So, he clapped his hands, and after attracting everyone's attention, he announced loudly: "This is the end of today's action scene. Thank you for your hard work!"

"You have worked hard!" The staff and actors all returned to Kazuma together.

This is not to say that each of them respects Kazuma. This is a very important etiquette in the Japanese workplace, as it should be for the boss.

Kazuma went through this final procedure with the crew, and threw the director's tube to the assistant director Aung San, and then assumed Nobi Nobita’s classic posture, with his hands crossed behind the back of his head, and walked towards his sisters at a pace that the six relatives did not recognize. go with.

Fang Shan Zhishi seemed to want to stop Kazuma and say a few words, but he hesitated, gave up, just watched him leave.

**

That night, Taiying Film's fifth editing room.

Da Neng Baoxiong pressed the pause button on the player, and then asked his guest: "Senior, what do you think?"

"A very interesting technique," said the 60-70-year-old man who had been sitting next to Daneng Baoxiong watching the film, touching his beard and slowly said, "Slow motion is not used to show details, but to highlight characters. This idea Very novel."

"Yes, I heard that slow motion is needed at first, and I thought he was going to shoot thrilling scenes such as speeding cars."

In this age, slow motion is for this purpose, and let the audience see the thrilling shots that are hard to come by.

Da Neng Bao Xiong continued: "I also thought about taking thrilling shots like flying cars, but we are not Hollywood after all. No matter how rich we are, we are not as rich as them..."

Although the bubble era will not be long in the future, Japan will enter a super rich era where it is said that selling all the land in Tokyo can buy the entire United States. Publishers who are rich enough to publish major magazines such as Shueisha can sponsor F1 racing cars.

But this hasn't reached the bubble age yet.

Even the so-called "big production" of Japanese movies is certainly not as expensive as Hollywood.

There are not many masterpieces like Kurosawa Akira's "Ran" in Japanese movie history.

"Indeed, this Kiryuu Kazuma has done the best possible under the condition of limited cost. Many of his fights seem to have the feeling of a Hong Kong kung fu movie. But this concave shape idea, It’s totally different from Hong Kong Kung Fu movies."

The old man said a long list, picked up the teacup and drank, before continuing: "This kind of talent is just a guest role as an action guide. It's a waste. You should convince him to go to the art school.

"Even if he fails to become a celebrity director, he will be a top-notch action movie star in Japan. We are short of action movie talents now. Hollywood action movies on the market beat us out of armor and can only be recovered by Takakura. A little face."

Da Neng Bao Xiong sighed: "Yes, watching American action movies make money, everyone wants to make action movies, and then it’s not as good as others who have money and cannot produce other special effects. Don’t talk about America, our actions The film can't even beat Hong Kong..."

After that, two generations of Japanese filmmakers, one old and one young, were silent.

After a while, the old man suddenly asked, "Is it possible that there is a lot of investment in Chuanjiao? But I can't hear them coming out to film action scenes. Are they all studio shots?"

The film industry is like playing the spy set. When you come out to shoot on location, you will not only be spotted by entertainment weekly magazines like Fang Chun, but also by commercial spies.

However, in many cases, Fang Chun's collection class of weekly magazine will also work as a part-time commercial espionage.

Da Neng Bao Xiong pursed his mouth: "I don’t know. If it’s all studio shooting, no matter how big the scene is. But the news about their location scenes that can be received now is not related to the action scenes. Wenxi."

"That's weird...Could it be that this is actually a literary film?" the old man frowned and muttered.

Da Neng Bao Xiong shook his head again and again: "It's impossible, it's impossible, you see even the machine gun is on, the machine gun! Can this be a literary art?"

The old man curled his lips: "Yes."

"Speaking of it," Da Neng Baoxiong suddenly thought of something, "This Kiryuu Kazuma has been advising us not to make action movies."

"Oh? What does he want us to take?"

"I remember the producer Nagata said... Ah, yes, he wanted us to buy the right to adapt the science fiction of a man named Tsutsui Yasutaka, called "The Girl Who Leapt Through Time", and then shoot that."

The old man smiled contemptuously as soon as he heard it: "Science fiction? Is this a brain show? Although science fiction is all shot with models, it is super expensive to achieve that level of model, and there is something to persuade. In Japan, it is already the limit to reach the level of Godzilla and Ultraman.

"Sakyo Komatsu’s "The Sinking of Japan", we worked hard to shoot, and with the support of the Maritime Self-Defense Force, we barely made it like that. Did you see the shot of the volcanic eruption? I laughed when I saw it. But it can only be done like that, otherwise it will only make Mount Fuji really erupt once."

The old man shook his head repeatedly: "No way, no way. It seems to be just a talented rough stone. To achieve some performance, he needs more polishing. But since he is going to enter the University of Tokyo and take the police route, probably in the future, our film industry, There is nothing wrong with him."

"Maybe there may be some scandal?"

Da Neng Bao Xiong said.

"Are you stupid? Senior officials have lovers. This is not a scandal. Maybe it will allow actresses to take on more dramas. After all, everyone wants to see what a Chinese master's woman looks like."

Da Neng Bao Xiong said with some worry, "Is it okay to say that? Be careful that the wall has ears, senior."

"Huh, what are you afraid of? Now there is no special high-tech." "Senior" said disapprovingly.

Da Neng Baoxiong decisively shut up and did not continue.

**

On the way home, Mikako sitting in the long luxury car of Nanjo's house suddenly said: "That Fangshan knows the world, he will come to our dojo after filming. I know her expression!"

The chairperson calmly said: "Is this bad? If the movie goes viral, she will immediately become a celebrity. If she learns kendo with us, there will be many fans coming to school soon. The money that Chiyoko has been worried about, immediately It's solved."

Mikako: "You and Nanjo can be calm, but I can't, I'm not as competitive as you."

At this time Kazuma spoke: "Don't worry, even if she comes, she is just an ordinary apprentice."

"You said that Nanjo was an ordinary apprentice before! Later you said that Nichinan was an ordinary apprentice."

"Nanjo leave aside, Nichinan Ricai is indeed an ordinary apprentice." Kazuma spreads both hands.

Mikako: "Oh! Nanjo is really extraordinary! I knew it! Chairman, let's go to a broken-hearted party together!"

The chairperson hugged Meijiazi and put on a posture of reading lines in a drama performance: "Don’t be sad Meijiazi, run forward, and run to a place where he can’t catch it! But in the end, he will definitely catch up because of him. There is no doubt that I once loved us!"

Kazuma: "Wait a minute! Don't enter the character so quickly! At least let me say something!"

At this time, the Suzuki butler who was driving in front turned his head and said through the small window between the cab and the rear compartment: "I'm glad you chose our lady, I will inform the master of the good news..."

"Master Suzuki! Master! Let me go, Master!"

Because the old man Suzuki taught Kazuma karate, he was the master of Kazuma.

Father Suzuki let out a hearty laugh, and said nothing.

Then the pair of Mei Jiazi and the chairman quarreled for a while before giving up.

Mikazi, who calmed down, opened the small refrigerator in the car and took a bottle of drink—she was completely used to Nanjo's high-end car.

After drinking the drink, Mei Jiazi wiped his mouth and asked, "So, if Fang Shan Zhishi came to learn kendo, you are planning to accept this apprentice, right?"

"Of course. The royalties from the album alone are not enough for me to go to college."

Originally, Kazuma thought that the royalties of the tapes should be able to get a lot, but when he actually got the contract from Oiwakawa Houyi, he knew that it was just that.

Oiwakawa Hou Yi said with earnest words: "Composers, like writers, have to be famous to make a lot of money, but you can rest assured that, according to the contract, the sales of this tape will definitely increase when you become famous, and even'reprints' will be released. At that time the royalties are still yours."

"Republishing" is a standard of the Japanese publishing industry, and works that can be "republished" are big-selling works.

This concept later extended to the publishing of comics and audiovisual products.

All in all, the royalties on music album tapes cannot completely solve the economic problems of Kazuma.

Besides, this is still part of the prepaid royalties.

The real royalty income can only be paid after the actual sales statistics are completed, and it may not be available next year.

In Kazuma last life, when he first came out of society, he always roared in a hurry. He always felt that if a thing is not done neatly on the spot, it must be fraudulent.

Later, he gradually understood that it is normal for companies to cooperate for half a year and a year. Sometimes negotiations for a year before they get a big project, and then wait for half a year for the first batch of project funds to arrive—this is normal. Rhythm.

So he didn't embarrass Houyi Oiwakawa. It was quite interesting that people could promise to pay the advance royalties before March next year.

Still have to accept disciples to make money.

Before Kazuma blasted away those male students with innocent thoughts, it made Chiyoko's boss unhappy.

Chiyoko's theory is that Nanjo and the others can't be soaked away by these students anyway. The most that these male students can do is to look more often without losing a piece of meat.

But Kazuma still blasted these students away.

His reason is also very high-sounding: Kiryu Dojo only accepts people who are dedicated to the pursuit of kendo.

Then it was immediately pierced by Chiyoko.

Chiyoko also asserted that soon there will be rumors that "Kiryu Dojo only accepts women from the dojo and teacher generation is an LSP."

Kazuma thought, if there are male students who are right-minded, of course I will accept them.

Just thinking of this, Mikako sighed: "I think Kiryu Dojo will soon become a women's dojo. It's better to change to Naginata directly."

Although the Japanese naginata was not originally a weapon designed for women, it has now become a recognized "weapon for women."

Men learned naginata, but when it comes to naginata, what I think of is a sassy woman holding naginata.

The chairperson suddenly said: "Naginata is more for ceremonial purposes. Optical naginata is not good. You have to learn **** dance and other things, including taiko. Does Mikako want to learn taiko too?"

Mei Jiazi shook her head repeatedly: "No, no, I don't want to."

Kazuma found that when Mei Jiazi shook her head, her cheeks were very agile, and she couldn't help but pinch.

"Yeah! What are you doing!"

Mikazi slapped off the hand of Kazuma, then tapped the temples of Kazuma with two fists, and started to turn-this was also the usual trick Mikako used when they were fighting together in the past.

Kazuma also learned after crossing, it turns out that this trick is not the original stunt of Crayon Shin-chan and his mother Meiya.

By the way, when Mikako wants to use this trick, a certain part of her will be very close to Kazuma, just a few steps away.

Kazuma suppressed the urge to bury his face in it after abolished the boss's strength.

——Ah, I really want to bury it!

Now that no one has chosen, the result is that no one’s **** can be buried, only to see...suffering...

At this moment, the old man Suzuki stepped on the brake.

Kazuma sits in the front seat of the car, with his back facing the direction of travel.

So at this moment, he saw the ultimate truth of the universe.

"Everyone, here comes...Oh, ahem, even though it's in the car, but after all, it's still a place away from home. You need to pay attention to your image, you guys."

Mei Jiazi pushed the shoulder of Kazuma, sat back in the back row, and smiled: "It's an accident. As childhood sweethearts, we have such accidents from time to time, and we've long been used to it."

Kazuma wiped the snot that had been knocked out, and nodded: "It was indeed an accident."

At this time, Chiyoko opened the car door from the outside: "Brother, come back earlier than yesterday. Tell me about Nichinan, she is going to be in the dojo again!"

As soon as the voice fell, Nichinan's voice came from the dojo: "My parents, there was a big quarrel last night~lightnovelpub.net~ It looks like a cold war today, I am taking refuge!"

As the voice fell, Nichinan appeared at the door of Kiryu's house wearing home clothes.

Kazuma: "Where did your home clothes come from?"

"Because I have already booked an evacuation tonight, so I brought it! I also brought my pajamas." Nichinan finished, making a V-hand to Kazuma.

Kazuma hasn’t spoken yet, just watch Nanjo leaning over his body from the back row, and said to the butler Suzuki in the cab through Kazuma: "Master Suzuki, I’m also staying at the dojo tonight, please Pajamas and home clothes are here."

"To understanding."

Mikako: "It's a pajama party!"

As soon as she finished cheering, she heard the chairman snap the handwritten documents that had been spread out on her knees, and pushed her glasses: "Very well, let's hold a late-night study meeting tonight! It just happened that the progress of the filming was reduced. Fill!"

Mei Jiazi screamed: "No!"