Ukiyo-e, also known as brocade-e, is a representative art of Japan, with its unique tones and richness, its artistic influence is deep in Europe and Asia.

Different from the woodblock prints that were printed and widely disseminated in modern times, the original origin of Ukiyo-e was the hand-painted paintings made by painters with brush and ink colors, that is, flesh-brush Ukiyo-e.

"Is that the manuscript before the engraving is printed? Isn't that an antique, and it should be worth a lot of money?"

At this moment, Sosuke Araki had no intention of admiring the paintings around him. He bent down and picked up the two pieces of silk fabrics in the middle of the corridor, and looked carefully with a blushing face.

"What a bold thong... and this one, it's too fierce, there should be a G, right?"

Since entering the passage, occasionally in the middle of the road, you will see some modern-style clothes that are suspected to have been left by the people who entered this place by mistake.

But so far, he has not seen a corpse or a spiritual body, so there is no object for Araki Sosuke to "ask the way".

It was as if someone took off their clothes and walked up the stairs naked, and then the world evaporated.

"Mr. Araki... Come and have a look..."

Just as Sosuke Araki was seriously observing the "clue" in his hand, the exclaimed exclamation of Yumayumi Kotori came from behind.

Looking back, the little witch was still standing in front of the Ukiyo-e, her pretty face turned pale for some reason.

"The content of these paintings... is not quite right..."

After her reminder, Araki Sousuke, who has no artistic skills, patiently moved his eyes to the contents of the paintings on the inner wall of the corridor.

These paintings, as always, implement the cool background colors, bright main colors, and delicate and flexible lines unique to Ukiyo-e.

The only difference is the content of these paintings...

The graceful and plump geisha looked at the several carrion corpses under him with a smile.

The man with a sturdy upper body and a treacherous expression, poked his hands and feet into the throat of the person below him, and pulled out the other person's internal organs.

A ghost warrior who walks naked at night, with a head in his mouth that can't be rested.

The evil ghost with two horns and a ferocious face was holding a beautiful woman in his arms and holding a big bowl of booze, but beneath his body was a throne made of mountains and flesh.

The ukiyo-e paintings on this corridor all use **** and straightforward brushstrokes and bright red colors to vividly depict human beings who are undressed and terrified, dying like livestock to be slaughtered by the same kind or ghosts sight.

It is only a simple and gentle brushstroke and abstract and bold colors, but it vividly embodies the painful trembling in the soul of the characters before their death, which makes the viewers feel the same.

And the material of these painting scrolls is not ordinary perishable painting paper, but something similar to leather, with its own yellowish color and natural texture.

"Tsk tsk... Even the internal organs and wounds are drawn so realistically, eighteen bans..."

Looking at these extremely realistic, hell-like heavy-taste Ukiyo-e, the nerves are as thick as Araki Sosuke, and I also feel a little sick in my stomach.

"However, in these paintings, there may be hidden secrets about this place... Hey, Sister Hanyu, can you hear..."

"During the mission, please call me 'Maria's Wall'... Survey Corps... What you see... is not an ordinary Ukiyo-e..."

Not long after the two informed Hanyu Mai of the situation in front of them, a reply came from the communication channel.

"And it should be called... No Miserable Painting..."

"……Luncheon party?"

Because Ukiyo-e was originally used as the interior decoration of noble buildings, the theme of the painting is to choose the four seasons scenery with local flavor, local attractions, historical events, etc., especially good at expressing the plump beauty of women.

In the shogunate period when samurai were in power, "Samurai-e", which showed the heroic appearance of the rulers and shaped the image of heroes, flourished again.

Different from these popular themes, there is a niche theme called "No Miserable Painting" that emerged after the "Samurai Painting".

No misery, that is, "miserable and inhumane".

No Miserable Paintings are paintings that vividly show the **** violence based on themes such as ghosts slaughtering human beings, **** battlefields in history and drama, brutal murders, and strange stories about Edo.

In the unpainted picture scrolls, the characters often have severed heads, belly openings, grim expressions, and terrifying death, making the people who see them shudder as if they were there.

It is said that painters who are proficient in this way, in order to better present such scenes, often go to places such as battlefields and mass burial mounds to observe the real scene of corpses lying everywhere with their own eyes, and even do not hesitate to dissect the corpse and understand the human body. things like structure.

"Tsk tsk, can this be said to be the prototype of horror comics?"

Listening to Mai Hanyu's stern explanation, walking along this increasingly terrifying gallery, Sousuke Araki suddenly stopped in front of a picture.

"This... the era of painting this picture, did you already have a mobile phone?"

In the painting, a samurai in full armor is dragging a man who has been cut in half.

The upper part of the man's internal organs was scattered all over the floor, and he was holding a black object in his hand, with a painful expression on his ear.

Among the painter's graceful sketches, it can be clearly identified that the man is holding a mobile phone like a life-saving straw in his hand, and he seems to want to call for help.

Ultra-thin and large-screen mobile phone without any buttons.

"...and this one... this one here, how does it look, and this one in my hand... it seems to be a set?"

In the painting next door, a broad-minded, white and slender woman is being hanged upside down from the roof by the evil spirit below, burning in pain on the fire.

And the trousers covering her last triangle, no matter in terms of style, pattern or color, no matter how you look at it, the fierce document that Sosuke Araki held tightly in his hand and never let go is natural...

"Furthermore, judging by the eyes of the void, who have been practicing hard for many years and have a lot of knowledge, the size of the person in the painting should also be G! 』

"Could it be that……"

The two quickened their pace, resisting the unhappiness and depression brought about by the **** and violent picture, and carefully looked at them one by one in the corridor.

"Those who strayed into this place..."

Although they didn't speak, the same terrible thought appeared in their minds at the same time.

"Mr. Araki~lightnovelpub.net~ look over there!"

At the end of the painting pavilion corridor, Xiaoniao Yuzhengumi's eyes fell on the penultimate painting, and his pupils began to vibrate.

In that painting, a graceful girl was being passed through her chest with bare hands by an old man in a dark kimono and pulled out her heart.

Although the facial features of the characters are only sketched, the girl's demure and tenacious temperament is vivid on the paper.

Even when her heart was crushed, she didn't show too much pain on her face.

The most important thing is that the girl whose clothes were disheveled, with a slippery white upper body and a jade on her chest, was wearing a red and white witch costume.

On the ground beside it, a white giant bow fell weakly.

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