Let me say something. The theme of Naruto is love and peace. The core cannot be avoided and a corresponding theme is needed.

I can't explain this at the moment.

In other words, we can only arrange a savior, arrange a **** to airborne, everyone will be unanimous, a standard Japanese comic finale, put down hostility to fight against the evil BOSS, friendship, youth and passion are all in it, and people understand each other. , something that looks beautiful and royal.

It seems to have changed the world, but when you peel it off, nothing has changed.

Bloodline royal power is abundant, and feudal ignorance is outrageous.

It's quite childish and cliché.

This ending, the cruel conflicts that were exaggerated in the early stage of the ninja world, and so on, a series of themes, are just a joke in front of this ending.

And there’s more than one joke.

That's a bit off.

I wrote it based on the overall situation of Naruto.

The structure is basically symmetrical.

It's the opposite in many details.

For example, Naruto talks about how people can understand each other and let go of hatred.

But here, no one seems to understand Mei Ji. No matter how many things she does silently, everyone will only be afraid of Mei Ji's power.

Naruto said that hard work can defeat genius, but the reality is that hard work is not as effective as blood.

And here, on the surface, talent means everything, but in fact, the biggest hard worker in the ninja world is Miki herself. Knowledge is power. Miki herself is mediocre, using a fulcrum to tilt the world step by step.

There are many similar comparisons.

Like governance, as an Uchiha, but without Sharingan, he is proud but not stupid, ruthless but has a clear understanding of love and hate, and will not go crazy and kill his whole family.

For example, Tong, you can compare it to Ningji, who always hates the Zong family and wants to be a free bird flying in the sky, but Tong has always been by Miki's side and hates no one.

In this way, isn't it also a kind of freedom?

For example, there is no reconciliation between Hashirama and Madara in the original work.

At this point in the description, there are signs of reconciliation.

Madara put down his ambition.

Not alone either.

Many people in the original work have the opposite destiny here.

Like Gaara, he can experience maternal love.

Like losing a position, she can become a hero and not be betrayed by the village.

Like Shisui, who shouldered huge pressure, cruel responsibility and despair when he was young, here he is a carefree and reckless boy.

I write this to make up for my regrets.

For example, Jiraiya, who lived for the ninja world in the original work, now lives for his own will in the end.

For example, Orochimaru was forced to fall into the abyss step by step in the original novel. Now he is doing it on purpose, just for fun. He lives for himself from beginning to end and has the goal of progress.

Orochimaru is a very complicated person. It's a bit emmmm to change his evil ways and clean up his innocence like in the original novel.

Finally, there is Tsunade. Maybe I have a little problem handling it, but her character itself is the most suitable.

It seems that in the original novel, he has been frustrated and ran away for half his life, and he is completely disappointed in the village. He should be a realistic person after going through many vicissitudes of life.

But in the end, she was willing to believe Naruto's plan.

She is an innocent and kind-hearted girl who is willing to trust others.

Be willing to believe it's possible.

You can call her stupid, but you can't call her bad.

I'm afraid that some things won't be allowed to pass if written.

Tsunade is a person in the play and has personal experience. In the early stage, she was favored by everyone, and in the later stage, she gradually came into contact with those things.

Frankly speaking, many of the things Mei Ji did are very scary for people.

This was a shock to Tsunade, just like when you suddenly find out that your wife is a murderer, and she keeps saying that I mean no harm.

If you don't turn around and run away, it means you really love her.

Some behaviors can be said to be insane to the point of being outrageous.

Mei Ji is also growing up. The more she sees, the richer her experience becomes. Evolution is going on all the time. Fish have to lose their gills when they land. Dinosaurs on land have to grow wings when they take off. Fish in the water cannot understand the birds in the sky. This is a normal physiological and psychological change in life, and human moral standards no longer apply to Mei Ji.

Sadly, humans need to use their own moral standards to position the image of Mei Ji.

Although from God's perspective, you can see that Mei Ji herself is not malicious.

But threats are not distinguished by malice.

Just like when you see a big dog without a leash, you will instinctively be afraid of it hurting you. A normal person would definitely want to tie it up to ensure safety.

And I am doing it for your own good, so I will plant parasites in you, control your body, distort your personality and spirit, and bow to me.

This logic itself has problems.

On any other set, it would be a completely devilish act.

You should know about the Tire-Blowing Yijin Pills in The Deer and the Cauldron of Shenlong Island.

If you eat something like this and are controlled by someone, a sword will fall at any time. Are you afraid?

Mei Ji does need such means to carry out some forced and covert operations.

What it is specifically, I have reminded you many times, you might as well take a guess.

It is an arrogant act without permission.

Never say, yes.

Therefore, Tsunade has been hesitating whether to believe or not to believe Miki.

Once the seeds of doubt are planted, they take root.

Emotionally, she is willing to believe it, but her reason does not allow Tsunade to do so. Before becoming Tsunade, she was still a shadow, and she had the responsibility to be responsible for everyone, and she must be responsible.

As more and more are discovered, the accumulation of straws overwhelms emotions and forces Tsunade to make a choice.

Even so, Tsunade has selfish motives, controlling Miki to supervise her behavior, rather than making it public and punishing her.

In essence, Tsunade didn't want to punish Miki at all, but would cover it up.

As a result, Tsunade has hit Miki's bottom line.

Okay, let’s give a brief summary of the plot.

Next is the last volume, which will be completed next month.

Hashirama's confrontation was Naruto's final climax.

After that, it was pretty good.

And here, the fateful showdown between Tsunade and Miki was decided from the beginning.

The before and after structures are contrasting.

This time there will be no Mito to stop it, and no one can interfere.

And Tsunade is free, Miki is free, and everyone will be free.

The bond between Naruto and Zuosuke in the original work, as two lines to promote the plot, is entangled with each other, and it is like a sadomasochism between a man and a woman.

In the end, they forcibly reconciled. Naruto's persistence moved God, himself, and Zuosuke, and each lost an arm.

As an adult, my advice is, let it go.

The ninja world will also usher in complete changes.

Mei Ji longs for freedom, but clings to all constraints.

This is contradictory.

In the end, she will completely transform into an insect, release all the constraints of being a human being, and soar freely in the starry sky.

In the swing between man and insect, the ultimate evolutionary sublimation is completed.

It is also the most explosive battle at the end of the whole story.

Volume name.

We will meet again under the stars

It's happyend.

Although it's a bit prickly.

But overall it's still sweet.

Mi Mi Tian.