Chapter 111 Rotten Ke

   This chapter is a special update, and the two chapters in the evening are still normal.

   Happy birthday to book friend "iv Xiaoxi"!

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   On the way back from Zhang's hometown, Xu Guangling's mood has been immersed in a rather strange state.

Trees, roads, neon lights on the streets, pedestrians and cars, etc., etc., everything in the exterior seems to be a bit illusory and unreal. in a dream.

   This was a feeling that Xu Guangling had never had even after that night's mutation.

   There is no doubt that this evening, his world view was refreshed again, he opened his eyes again, and the world opened a new window in front of him again. It's just that this window seems to be too big, so that the window suddenly opened, and the wind suddenly swept in, making him a little unsteady.

   did not reach the point where the world was broken.

   But indeed, at this moment, Xu Guangling felt that many things were a little blurry.

   Fortunately, his footsteps are fairly stable, and very stable. Whether it is Taijiquan practice in the morning, or the four-stroke and one-style Sanshou practice from time to time every day, his current body balance has reached a certain level. Steady, coupled with the smooth flow of qi and blood in the body, let his steps be casual, but under the basis of casualness, it is a kind of firmness of "fixing the green hills and not letting go".

   This is probably the only thing that can prove that he is not an alcoholic now, that he is not upside down, or is not in a dream.

So, with firm and orderly steps, Xu Guangling approached the rented community little by little, and the blurry and illusory consciousness in his consciousness was gradually blown away by the gentle night wind, showing a bright and clear sky like the bright moon outside now. state.

   But the confusion is gone, but a certain emotion is still there.

Xu Guangling now knew how to deal with this kind of emotional impulse. He entered the room, took out the manuscript paper, and sat down at the desk. Xu Guangling wrote freely and unrestrainedly. So, a few minutes later, another tune was played by him. was born under the pen.

   It is said to be one, but it is actually two.

  Because these two songs were produced under a kind of opposing yet unified emotions, for Xu Guangling himself, they were inseparable.

On top of this written piece, Xu Guangling inscribed its title, "Brightening Its Flowers", and uttered the Book of Songs, "Peach's yaoyao, scorching its blooming flowers", that is to say, after taking this sentence, the rest will not be at all. related.

  In spring, the peach blossoms bloom brilliantly, both bright and radiant, like a rosy glow.

The imagery in it can probably be set off by the first two sentences of another poem, "Peaches and dew seeds in the sky, red apricots are planted against the clouds at the edge of the sun." - This is a tree that is in full bloom. , Peach Blossom Trees Under the Sunshine Surrounded by Colorful Clouds.

   This is also a splendid, splendid, warm life.

Xu Guangling marked a 3 after the splendor, then removed this page of manuscript paper, and started the creation of the fourth piece. In fact, during the creation of the third piece just now, the fourth piece had already completed most of it at the same time. At this time, it is only a formal overall treatment.

   Soon after, the fourth song was also announced, but Xu Guangling encountered a little obstacle when writing the title of this song.

   Real people.

This is the title that Xu Guangling hand-written on the top of the page after writing the song, but just after writing, Xu Guangling frowned slightly, then crossed it out and changed it to "immortal", but the next moment, Xu Guangling found that it was still inappropriate, so he crossed out these two words and added the title "Taoist".

   But then, looking at these two words, Xu Guangling still frowned, these two words are still inappropriate, and very inappropriate!

   This piece of writing by him is not true, not immortal, and not Tao.

   Besides, as of now, as of now, he doesn't actually know what a real person is, what an immortal person is, and what a Taoist person is.

On closer inspection, he was just writing about a person who stood by the "scorching" peach blossom tree and looked at the peach blossoms that were blooming brilliantly. Sitting under the peach blossom tree, he took out a book and read it quietly.

The splendid peach blossom tree gradually faded into the background, and beside the peach blossom tree, there is a small stream, flowing slowly, carrying peach blossoms, carrying the faint mood of the scholar, and carrying the years of light, just so slowly ground, flowing into the distance...

   How to name this song?

  After rejecting three titles in a row, Xu Guangling studied the piece itself carefully, and then planned to name it "Peach Blossom Flowing Water" directly, but before writing the inscription on the manuscript paper, the name was rejected by him again.

   is too straightforward.

   Straightforwardness is not a problem in itself, the problem is that the name does not represent the song itself, it can only be expressed, but not the meaning.

   Or, "years"?

   But this name is too vicissitudes of life, and it is too vague, and it is not only vicissitudes, but also vague. It is also the same as the previous naming, which fails to accurately capture Xu Guangling's mood to create this piece.

After completely letting go of his thoughts from this piece, Xu Guangling was very obsessed for a while. After a long time, he finally started to write again, and next to the title that had been crossed three times, he slowly wrote the following two words: "Crap."

A man was going up the mountain to chop wood, and when he saw someone playing chess, he stepped forward to watch. The handle of the axe was found to be rotten.

   "Lan Ke", this is the title of Xu Guangling's fourth piece.

   is the title and the subject.

It is about peace, about time, about eternity, about the vicissitudes of life, about the world, but also about the non-human world. It is very complicated. Even Xu Guangling himself cannot locate the real idea in this song, probably the real idea, which is Many expectations, assumptions and contradictions are intertwined.

But in any case, after the creation of the two pieces, Xu Guangling's emotional impulses accumulated in his heart had already been consumed, and there was still some left, but it was no longer disturbing his calmness. Then, in this calm state, Xu Guangling Guangling put away the manuscript paper, walked to the middle of the room, and started the practice of the four-stroke and one-style Sanshou again.

  No expectations, no delusions.

  Some just focus, as always.

More because of the relationship between the fourth piece just now, when Xu Guangling practiced these four moves and one form, he unknowingly entered a very calm and far-reaching realm. In general, when he regained his senses. When I look at the time, it is already half past ten.

   In fact, it was about half past nine, he finished his last move and put away the air.

Then stand there like that, not even the golden rooster's independent open posture, but standing on both feet, standing there firmly and loosely, letting the qi and blood flow inside and outside the body, rushing, circulating, and then a little bit more Little by little, transitioning to gentleness, transitioning to subtlety, transitioning to making him forget everything inside and out.

   is just like the second half of the song just now.

  The flowing water of peach blossoms gradually fades away, but it does not flow far away, but resides in the heart.

   (end of this chapter)