As a person in the art world, you can have no money or works that are popular with public readers, but you can't be forced, and want to be famous in the art world if you are not forced?

That is dreaming.

But in the art world, how can you be well-known if you don't have a reputation?

Even if you are acting as a brick house called a beast, you have to make a name call before you can fool the general public. If you become an authority in the art world, it will be awesome. Only by relying on that big name, It can be mixed everywhere. If there is nothing to do, just criticize other people's works. People still dare not refute anything. They have to accept it with humility...

As for those commercial works, these art world authorities can express their disdain unscrupulously. They are just popular works to please the public and also worthy of talking about art?

The gadgets of the lower Liba are out of our noble art palace, how can Yangchun Baixue be understood by ordinary people casually? In that case, what do you want our group of artists to do?

Therefore, for a certain period of time, "Serious Moment", like "Star Moon Night", became the object of many professed "masters of art appreciation", "analysts of symbolist paintings" and "analysts of poetry", as if If they don't do this, they will fall behind in the art world.

In fact, in "This Time" magazine, there is already a "editor-in-chief comment" by the writer Ou He, but he still only commented on this poem. Regarding An Yi’s painting that matches the poem, he was I haven't figured it out yet, plus he really doesn't know much about painting, so he won't expose his shortcomings.

Ou He told the editors last time that this symbolist poem is undoubtedly about the life of a person. "Crying", "laughing", "walking", and "death" can sum up a person's life. In "Comments", he continued to elaborate on his understanding of this symbolist philosophical poem.

"'No reason, no reason' is undoubtedly a key word throughout the poem.

That is, throughout the whole life, all the crying, laughing, life and death that run through the entire life. No reason is destiny, a destiny that people can't get rid of. Destiny is at the mercy of a person, as free as the wind is playing with a leaf. We came to the world without our permission. Destiny brings us forcibly. Our ultimate death is hidden in the details of time. , And we can’t be sure that all love, hate, and hatred come unexpectedly on different scales of life, like snowflakes.

We are all crying for no reason, laughing for no reason, living for no reason, dying for no reason, and then looking back at our lives, how can we not feel desolate and desolate! Therefore, this rigid formal structure originally hides and corresponds to the author's immutable but unspeakable feeling of fate.

...

This short poem seems simple and simple, but there is such a major theme hidden in it: all of us human beings are controlled by a mysterious giant hand in the vast space and time of the universe, crying and laughing, life and death for no reason. Death, this universal fate covers every sentient person like a net of heaven and earth. Therefore, how can this long-lasting moment not make people feel scared, and how much desolation and helplessness in life have been multiplied, so that the profound seriousness of life tragedy can be realized?

This poem is actually a very philosophical poem, full of existential absurdity and alienation, a kind of spiritual anxiety and questioning of ultimate meaning. "

Ou He’s comment is more than 5,000 words. Ordinary readers who could not read this symbolist philosophical poem will feel a sense of sudden realization as long as they read his comment carefully. Unpredictable and unpredictable life.

No matter how a person spends his life, his ending is doomed, that is, death. This is the ultimate destiny that everyone cannot escape.

When Lu Yizhe flipped through the magazine, he did not read Ou He’s comments or poems. Instead, he directly admired An Yi’s symbolist painting-"Serious Moments."

The tones of this painting are dark, very heavy, depressing, and mysterious. Some of the patterns are very three-dimensional and exquisite. When Lu Yizhe saw these patterns, he felt that his eyes were bright and he was faintly grasping something. He thought This kind of cubist painting method is very interesting. The most important thing is that the patterns themselves also have that rational and sublime feeling, which undoubtedly suits Lu Yizhe's appetite.

In addition to these patterns, there is another place that is particularly eye-catching. It looks like humans and non-humans, beasts and non-beasts, but is framed in those exquisite, three-dimensional container-like patterns...

When Lu Yizhe saw this image, he was once again shocked by Anyi's imagination. He even felt that An Yi must have received information from another world in his mind. Otherwise, how could he draw such an incredible image? But it's kind of like that, it's not a random picture.

In fact, from the perspective of this painting alone, Lu Yizhe naturally cannot understand what it is expressing. It seems like fate is unpredictable, but he does not need to understand the connotation of the painting. He just learns from the painting. Appreciating this painting in terms of technique, style, etc., I feel that it is definitely another masterpiece, and because it is too self-conscious and subjective, its audience is destined to be small.

Lu Yizhe finally saw the poem that matched the painting. He was naturally unconscious. He searched the poem on the Internet and found that it is also very popular in Douban, a place where small and fresh literary and artistic gatherings. People with a little literacy, (#46;u) have interpreted this poem one after another~lightnovelpub.net~ He looked at it casually and felt that the interpretation of netizens is actually no worse than those who claim to be artists. A netizen with Douban's nickname [The Phantom of the Dark Night] wrote a long commentary of no less than Yu Ou He. The first paragraph summarized his understanding of the poem——

Reading An An’s "Serious Moments" repeatedly, my heart seems to have been hit by something heavy—maybe it’s not that someone is standing somewhere, but that An An is standing somewhere looking back at herself. At this moment, her destiny has changed. Became the destiny of mankind. There is not only a heavy emotion of sadness and joy in the poem, but also compassion for sentient beings. The poet can't help but feel compassion and anxiety when he thinks about human suffering, life and death. Strangers, laugh or cry, walk or die, somewhere. Although he is, for no reason, the flowers fall unintentionally; but I am, tossing and turning, flowing water with affection. The words "no reason, no reason" and "somewhere" make life confused, and people seem to be in a thick fog; from laughing to crying to walking to death, the poet watches all this soberly, but is powerless; heavy pain , The gap and indifference that cannot be surpassed. Sad and shocking.

...

Many people are worried about Teacher An An’s mental state because of this poem. They feel that Teacher An An seems to have been in a world of extreme mental stress. Otherwise, how could he write such a heavy poem?