All in all, the opening of "Western Journey" is very fascinating, not to mention its wonderful plot, just the grand scene displayed by An Yi's hand-painting technique can catch the reader's attention at once!

After the grand scene, there are basically all kinds of nonsense and funny plots. Whether it is lines or other, the nonsense level of funnyness is not inferior to the previous "East and West". After all, this is Zhou Xingchi's film adaptation, and Xingye's. There is no doubt about the ability to be funny.

"Moonlight Treasure Box", the first part of the entire "Westward Journey" is actually very joyful on the whole. It can make people laugh from beginning to end. For young people who can adapt to the style of nonsense, they will definitely love it, but that kind of Readers who don't like the nonsensical style may feel that in the cloud, wondering where is the funny?

It’s normal for a work to be liked and disliked by some people. The popularity of "Journey to the West" is definitely not as popular as Yi'an's previous martial arts works, but it is forgivable. After all, the type is different, and it The original book "Journey to the West" is not a big fire, and now it can only be said that everyone has heard of this classic masterpiece, but the understanding is still not deep.

And what made "A Westward Journey" a classic is actually its next "Cinderella". I am afraid that all readers would not have expected it. A work that makes people laugh so joyously, the final ending. It turns people's hearts upset, perhaps this is why this work is called "tragicomedy", it can make people laugh and cry.

Compared with "A Big Story Westward Journey" with explosive and funny opening points, An Yi's another "Wukong Biography" opens. Playing it is a "funny", the typical "An An teacher" literary style, this literary style is simply a huge disaster for the mass readers. However, the young artists who think they have style, are very fond of this.

"Wukong Biography" does not pursue formal integrity and linearity of plot development like its original "Journey to the West". In "The Story of Wukong", the whole story narration is actually unfolded on two different time and space levels, the story of five hundred years ago and the story of five hundred years later are cross-narrated. The story is basically realized in the "collage" and "flashback" of time and space.

Of course, Anyi also used the technique of cross-narrative in the comics. In the process of telling the story, she turned to the "antecedents" from time to time, bringing the reader's attention to five hundred years ago. At the same time, it tells the past and present story. Not only can the narrative time be arbitrarily extended, accelerated, and reversed, but the narrative space can also be arbitrarily transformed, collaged, and repeated.

Such a technique will definitely cause serious dyslexia for the mass readers. They can only admire the classic lines that smash the sky, and the plot of the story can be seen in the clouds. However, Mr. An An has long had the "previous" of the literary and artistic work of "Evil and Western Poison", which is affirmed by popular readers. I have also developed immunity. I'll look at those masters' interpretations at that time...

"Wukong Biography" will definitely become the love of the literary and youthful readers. Speaking of them, they have been looking forward to this kind of work for a long time, and the birth of "The Legend of Wukong", which is not inferior to the "Evil and the West", will definitely make them ecstatic.

At the beginning of this story, Tang Seng's body was burned on the ground, Zhu Bajie smiled and burst into tears.

Then the story turned to "antecedents" and began to tell the story of Zhu Bajie's past lives-Marshal Canopy and A Yue, and then Bajie dreamed that he was drawn back to the real life five hundred years later.

then. Continuing to explain the story of Monkey King and Fairy Zixia through the same way of narrating the "Antecedents". The story of Xiao Bailong and Tang Seng, through such explanations, the big background five hundred years ago will naturally gradually become clear.

Why were the Bajie and Drifting degraded to heaven, how did their masters and disciples go to the path of learning, and how did the Dragon Girl of the East Sea become the mounts of the Tang monk?

The whole story is happening in two layers, but there is a causal connection. Its structure is a circular structure with inverted effect as cause. The ending of the story also caused the occurrence of the story and became a product of temporal spatialization, that is, the story becomes a space that can interact on two temporal and spatial levels. A combination of, penetration, and juxtaposition.

At the finale, A Yao found the stone and buried it in a scorched-earth Huaguo Mountain. This is exactly the beginning of the story of learning from the scriptures. The whole story is like a ring. There is no beginning and no ending. Even if it begins, it ends. The ending is the beginning of the story again, which fully expresses the absurdity of postmodernism.

Literary youth readers will certainly take great interest in delving into the causal relationship of the stories in "The Story of Wukong", and then interpret the profound connotation that An An wants to express, and then extend it to draw more people. I don’t know what to do, but only in this way can they highlight their compulsion...

And the more literary and youthful readers "over-interpret", the works of An An naturally appear more stylish, so that many comic fans and even cartoonists in the industry have a "mindset" towards Teacher An An. I feel that her works are all “niche” and have little commercial value. They can’t be regarded as “the supreme god~lightnovelpub.net~. But in fact, the sales volume of An'an's works has been very stable and the lasting power is better. While other cartoonists had the highest sales in the month when the booklet was released, An An’s works always showed a strange phenomenon of "reverse growth".

But in any case, Mr. An An’s status in the comics industry is also unique. She is highly respected by comic critics. Those venomous friends in the Animation House Forum rarely spray Mr. An An. You know, they will be Yi An, Ke Yongqun's works are all sprayed to perfection and useless.

Of course, some friends who like comics from the general public feel that An An’s comics are "virulent," and the pretense is almost too much, and the plot of the work is very procrastinated. Various meaningless art paintings are interspersed in the comics. It's nondescript, it's too ostentatious to show off painting skills. Her literary and deadly works such as "Evil in the East" are simply "destroyed", can't you tell the story properly?

Some street painters in the forum are also very jealous of Teacher An An’s talent. Her line skills are really great, and her painting skills are completely unattainable. All of this makes these street painters envious. Envy and hate.

The topic is still back to "The Story of Wukong". The opening of this work is certainly not as eye-catching as "A Chinese Journey to the West". In fact, it is worse than its structure, connotation and lines, so it can be expected that its popularity at the beginning. Maybe not too high.

In fact, whether it is "Big Story Westward Journey" or "Wukong Biography", before the "Qing Man Weekly" went public and met with readers, the industry public opinion was very unoptimistic about it...

Lei Ruili, the editor-in-chief of "The Kingdom of Martial Arts" of "Qing Man Weekly", was nervously concerned. When he learned that Yi'an's new work was not a martial arts man, he was quite sure. (To be continued.)

ps: Two more~~~recommendation ticket, monthly ticket~~~~