The room was quiet for a while.

"Then the scene you sang in the middle of the song is...?"

"It's an excerpt from "Peach Blossom Fan."

Li Zian softly responded to Jiang Xuanyu's inquiry.

The two asked and answered, and some of the singers around the dining table nod lightly, while others were blank.

In fact, apart from Li Zian and Jiang Xuanyu, the only person who knows "Peach Blossom Fan" is Zheng Yi.

""Peach Blossom Fan" is a famous legendary script in China and Qing Dynasty. It describes the tragic and joyous contract between Hou Fangyu and Qinhuai Yanji Li Xiangjun at the end of the Ming Dynasty. The rise and fall of the Nanming Hongguang Dynasty were organically combined, creating a series of lifelike characters. The tragic ending ends."

"Peach Blossom Fan" describes the demise of a dynasty. The cause of the demise of this dynasty is not the fault of a single individual. It is not one person who bears the final tragic ending, and there is not only one person who faces the tragic fate and fights against it, Xiao Li The teacher's quote from "Peach Blossom Fan" is mixed in this song, which undoubtedly raises the artistic conception of the whole song to a higher level."

Seeing everyone's blank faces, Zheng Yi, who was sitting next to Huang Che, smiled and gave a popular science explanation for everyone.

"It is really rare for Teacher Xiao Li to have such a deep knowledge of traditional Chinese opera at such a young age."

After popularizing science, Zheng Yi expressed his unconcealed appreciation for Li Zian.

Facing Zheng Yi's praise, Li Zi'an smiled at Zheng Yi in a humble manner.

Chen Haisheng and others learned after Zheng Yi's popular science that the original song of Li Zian contained so much traditional culture, and the admiration in his heart became more intense.

"Ms. Li, how did you practice your drama? I tried it many times in private just now, but I didn't even try to sing it."

Suning asked curiously. When the others heard Suning's inquiry, their faces were also a little curious.

It is true that the drama Li Zian performed just now is too amazing. The popular singing and the drama have a perfect transition. When the full drama burst out of Li Zian’s mouth, the shock from the soul makes them still even now. Still fresh in my memory.

Faced with a pair of curious eyes, Li Zian did not hide it, because this is not a secret thing at all, and the drama comes from opera.

Looking at China, there are countless people who can play opera, but the opera world and the music world are completely two circles. Now that Li Zi'an steps on the two circles, he has naturally become the focus of Suning and others.

"The opera accent comes from the opera. My opera accent on stage today is the standard Beijing accent. In the traditional Peking opera, it belongs to Dan Xing. Dan is the collective term for the positive role of women. My opera accent today is Dan Xing. To put it simply and concisely, It's anti-serial."

"And my pronunciation skills today, fake voice pronunciation, the popular name in the circle is Xiaoshou, Peking Opera Danjiao, Xiaosheng singing with fake voices, when vocalization, compared with the real voice, the throat is smaller, the parts are raised, and the airflow It becomes thinner and the fake voice sounds higher in pitch than the real voice."

Li Zian talks freely and has teacher-level Peking opera skills. If he understands Peking opera, he can definitely be called a professional. Even if you look at the entire drama circle of China, he can surpass Li Zian in understanding Peking opera. There are certainly, but definitely not too many.

"In addition to using fake voices, I also used the singing technique called Yunzheyue in Peking opera. This kind of voice sounded dry at first, and then became louder and brighter as I sang. It will make people feel mellow and requires long-term exercise. form."

"The two pronunciation techniques I use are only two of the many pronunciation techniques in Peking Opera. There are many other pronunciation techniques in Peking Opera, such as hanging voices, falling in the middle, back of the head, deserted tune, and tune, Walk the board and wait."

"If you feel that you have experienced a bottleneck in music recently, you might as well study the pronunciation skills of Peking Opera. After all, these things have been passed down by our ancestors for thousands of years. I believe that if you are willing to lay down and study it, you will definitely find something. Harvested."

Li Zi'an gave the singers some popular science on the accent of Peking Opera, and finally gave his suggestions very sincerely.

Many of the singers at the table were thoughtful about Li Zian's last suggestion, apparently listening to what Li Zian said just now.

"Teacher Li, you just said that the accent of Peking opera requires long-term training. Then when did you start to study the accent of Peking opera?"

Huang Che, who was sitting in the main seat, asked Li Zian with interest.

Li Zi'an smiled and stretched out five fingers.

"Five years?"

Li Zi'an smiled and shook his head.

"Fifteen?!"

Li Zian nodded this time.

Everyone was dumbfounded, and they began to study the accent of Peking opera since the age of fifteen. Combined with what Li Zian said just now, wouldn't it mean that when Li Zian was fifteen, he had already encountered a musical bottleneck? !

Although the word bottleneck is invisible and intangible, it does exist.

Whether in performance, vocal music, creation or other industry skills, there will be bottlenecks.

Break through the bottleneck, and the skill will break through to a new world. If it cannot break through, the skill will always be on the same level and never reach a new level.

In vocal music, ordinary people want to encounter the first bottleneck. Those with better talents are generally around 25, and those with less talents are around 30.

Of course, those mentioned above are for people who have been learning vocal music since they were young. It is the time when professional singers encounter bottlenecks. If they were born halfway, they might not encounter bottlenecks in their lives.

Seeing everyone's eyes that looked like monsters, Li Zi'an smiled and said nothing.

It takes a long time for ordinary people to practice drama, but for Li Zi'an, it only takes a few days.

But Li Zian is not actually lying, because before Li Zian crossed, the original owner of this body really encountered a vocal bottleneck when he was 15 years old, so he began to study the drama at that time. This is also the reason why Li Zian was able to sing opera in front of Gao Baisong when he first appeared on the stage.

From a certain situation, the original owner of this body is indeed no different from the monster, and the talent in vocal music is definitely inhuman.

"I'll stop, and whoever praises my talent for vocal music in the future, I will always think it is cursing me!"

"When I was fifteen years old, people had already begun to study Peking Opera and opera tunes. When I was fifteen years old, I was still obsessed with reading "Superstars Start from Krypton Gold" and "Immortal Entertainment" and "Rebirth of the Great" every day. Entertainer System" too!"

"Huh? Have you read those three books too? I heard that the author is as handsome as Teacher Li!"

"The back wave of the Yangtze River pushes the front wave, and the front wave was shot dead on the beach!"

...

After a short silence, everyone complained again and again, apparently stimulated by the time when Li Zian encountered the bottleneck.

"From the age of fifteen to specialize in research, Mr. Li is 21 years old this year. That is to say, Mr. Li's drama can be trained in six years?"

Su Ning whispered and said, suddenly there was a slight movement.

After all, such amazing vocal skills are absolutely coquettish.

However, before Suning became excited, a basin of cold water was poured over the mountain side, and said quietly: "The six years Li Zian said is the six years of others, and if you practice, it may be more than just It's been six years. After all, the time units of people and people are different..."