In late August, China’s hottest game was "Hatsune Miku: The Idol Master".

Due to the popularity of Hatsune Miku on the Hatsune Video Network, many passerby players who do not have much contact with mobile games have also poured into this game. After all, even if the technology is not good enough to hit the rankings, they can simply listen to songs and play dress-up games. Playing with fish can also be fun.

For Lin Shuyi, a newcomer and original artist of Phantom Animation, although "Hatsune Miku: Idol Master" is fun, what I am more looking forward to is the internal preview of "Classical Literature Club Series".

Since she was a student, after entering the animation design major, Lin Shuyi has always had a dream, that is, to participate in the production of famous animations, and then see the finished animations before all audiences.

Now, although I don't know if the "Classical Literature Club Series" will become a great animation with a name in the animation industry, at least the desire to see the finished animation before all audiences is realized.

At three o'clock in the afternoon, in the theater on the first floor of the phantom animation.

This projection hall was built during the previous renovation. After all, the effect of using the projection screen in the meeting room will be affected by the light, which is not very good, so Xu Rui arranged a projection hall on the first floor, this small The projection hall can accommodate fifty people, but the playback equipment is not inferior to a formal movie theater.

Lin Shuyi was sitting aside in the third row. Next to her were several colleagues from the original painting group. The screening session was divided into three sessions. Sign up for the original painting group. There were a few fixed quotas for the original painting group. Yi Qianqian gave Lin Shuyi a quota. .

The scene was still a bit noisy. Not only were there people from Phantom Animation, there were also people from Hatsune Games and Hatsune Video. Not all of them were professional animators, but Xu Rui was still willing to let more people watch the preview. meeting.

Lin Shuyi saw the school enrollment that had been together for three days before, but it was not convenient to say hello after a certain distance.

The trial screening will begin soon, and the content of the first episode will be played.

Here, Lin Shuyi has read the storyboard performance script. After Yi Asasa's guidance, she also understood which is the focus of the performance and which is where the artist needs to focus on acting. This time, she just looked at it with the experience of learning. .

The rhythm of the animation is slow, and there are no strong conflicts. Even so, everyone is still watching the screen seriously.

Lin Shuyi watched very attentively. When she entered the company, the painting part of the first episode had been completed, so Lin Shuyi did not touch it. At this moment, seeing these exquisite pictures, she couldn't help but feel a little excited.

When she thinks that her painting will become such a picture, she suddenly feels like being in history.

There were three episodes in the trial screening, and the one-hour time ended soon.

When the show ended, Xu Rui also specially reminded everyone not to forget to fill in the questionnaire distributed before the opening.

Lin Shuyi walked out of the screening hall, returned to her position, and looked at the questionnaire in her hand.

There are some more subjective questions on this, including favorite characters, impressive places, and some relatively objective questions, such as the rhythm of the story, the summary of the plot, and the color change.

Even if the other party is not a professional in animation production, the answers they get are relatively subjective. From these answers, we can see most people's views on animation itself. After all, most people who watch animation are general audiences.

Lin Shuyi scanned the questions carefully before starting to pick up the pen to answer. About half an hour later, she answered all the questions and handed them to the person responsible for collecting the questionnaires.

Returning to her seat, she picked up the cup and went to the pantry to drink a cup of coffee, only to see Iasa sitting in the pantry with the questionnaire in front of her.

"Huh? Sister Qianqian also need to fill in?"

Lin Shuyi was a little curious, so she leaned over and asked.

Because Iasa Asa is the chief painting director of this animation, and all the original paintings are supposed to be supervised by her, so the quality of the script and the finished product should have been known for a long time. Why is still writing the questionnaire now? Lin Shuyi is not clear.

"Of course, even if I am a producer, there will be emotional fluctuations when I see the work. This situation can be compared to the way someone who has already watched it once and then watched it the second time and the third time."

Yi Qianqian's questionnaire was half written, she raised her head and said.

"Although I read it again after understanding the plot and connotation of the work, the impact of the work will be much smaller, but there are also works that are laid out for multiple viewing details. The plot of this animation is not "Magic Girl Madoka Magica" or "Soul Eater: Zero" has a strong reversal, and just like this, whether it can withstand multiple viewings has become an important indicator."

Lin Shuyi nodded seemingly, she seldom had the experience of watching a work repeatedly. After all, most of the animations are based on the plot. If "Soul Eater: Zero" had not had the publicity fraud at the time, the impact of the first two episodes The power will also be much less, and if the ending of "Magic Girl Madoka" is known in advance, you will have a different mentality when watching the previous plot. When you see Xiao Yan's reincarnation in the tenth episode, the emotional impact will be natural. Also a lot less.

"Do you want to watch again..."

Lin Shuyi muttered to herself.

She recalled her previous movie-watching experience. Although this was a work with reasoning elements, Lin Shuyi suddenly found that her focus did not seem to be on the serious reasoning plot at all.

The interaction of the male and female protagonists and various performance techniques are the motivations that attract her to watch.

Generally speaking, the reasoning works will be slightly boring to read after knowing the truth~lightnovelpub.net~ But the "Classical Literature Club Series" is not like this. The reasoning is really just like what Xu Rui said in the interview. It's just an element of the plot. Maybe Lin Shuyi was still thinking about the puzzles in the animation when she watched it the first time, but the second time, when she learned the answer, her focus was on the character description.

And the movie-watching experience brought by this hasn't diminished even at all.

Lin Shuyi can see Tian Qian'ai's body curve in the animation, as well as the subtle changes in Feng Zhemu's expression when facing the girl, and even the specific actions of passers-by in the background when the protagonist and others are talking.

The details of the whole work are almost exploding. When I watched it the first time, Lin Shuyi could only notice the dialogue and the performance of the puzzle. The second time, she could see these details clearly, savoring carefully, and she could actually see it. Different stories.

These are the things that cannot be reflected in the script of the text. They are the language of the pictures and shots, and are the artistic expression of animation.

Before, Lin Shuyi thought that Xu Rui was only good at creating reversal themes, but he did not expect that his research on images would be so in-depth.

Lin Shuyi was convinced.