Whirring whirring.

A gentle breeze blows by, it seems that even the sound of the wind has been dyed with a layer of green, wandering in a green sea, letting the body and mind completely calm down, only natural sounds are left in the ears, and then all the noisy thoughts disappear. Completely enter the undisturbed world.

Lan Li was reading the script carefully on the rooftop. Oggs didn't change the whole scene much, basically just adjusted some lines on the original basis. It is not difficult to memorize the lines-the forest part will be the real problem afterwards. More importantly, it is necessary to capture the development context of the character and the changing direction of the story from the script modified by Oggs. A line or a detail may be very important.

The biggest difference between the script and the script, and between the characters and the characters, is that some characters are just like a chess piece in the plot. In order to promote the plot, they have made certain actions and said certain words, but they cannot Explain the specific reasons; but some characters are not like this. Every move, every smile may explore the reason, why you say this, why you do this, these core driving forces can not only fill the character, but also fill the story. This is a real Live real characters.

Even some directors will use their own lens to create a sense of space and layering. Without lines, give the characters those emotions and emotions, and the characters will naturally become plump and three-dimensional-but such audio-visual language is another. The door is highly knowledgeable.

For Lan Li, he now needs to capture David’s context and adjust and think according to Ogus’s daily script modification. Sometimes, he needs to feedback with Ogus, and certain words or actions are deviating. Orbital, because when a character is three-dimensional enough, he has vitality and can make many actions on his own, even without the control of screenwriters and actors, just like a real life.

Compared with what happened last night, studying scripts is much more interesting-who wants to give up such fun for those trivial things? Obviously, Lan Li was unwilling. After going through the vicissitudes of life and watching the sails, this is still Lan Li's most passionate and most focused thing.

The scene to be filmed today is very interesting. The main lines are between a lame man and a man with a big tongue, and David plays a role of "persuade". So, how should "persuade"?

"I won't become an animal! But then I will take my partner to visit you, and then we will go to the park, travel, and swim in the sea."

The lame man looked coldly and contemptuously at the big tongue man, and expressed strong disdain for the big tongue man and David's pessimism: he is not the same with them, he refuses to be an animal, and he will use his own methods to win His own life, that gesture and expression angered the man with big tongue.

Then, the man with the big tongue failed to suppress his anger and rushed towards the lame man impulsively, and the two started fighting each other.

Trapped in the middle, David had to stand up and try to separate the two friends, but he didn't know what to do, so his actions became extremely clumsy and panic-

So, how should Renly behave?

"Oh!"

The man with the big tongue stood up, and pushed the shoulder of the lame man hard, then the lame man lifted his injured left leg, staggered back, and almost flew out directly. Stand firm and avoid falling.

David sat in a chair, looked at the scuffled friend at a loss, and then saw the man with the big tongue start to exert force-because he concentrated all his power on his mouth, and pouted his mouth inexplicably, even if David wanted It is also difficult to ignore, so I watched the man with the big tongue rush up again.

David stood up abruptly, looking at the man with the big tongue and the man with the lame leg, but his footsteps moved horizontally like a crab, without stepping forward to stop him. He didn't seem to know what he should do at all. It was just a little hesitant time. The man with big tongue and the man with lame legs both stepped forward and pushed each other up.

But the two didn't know how to fight, they could only push each other indiscriminately, and then slapped each other with fists and hands, without knowing what they were doing.

David’s entire face was curled up. He awkwardly grabbed the lame man and tried to stop them, but to no avail. His steps and body were dragged forward by the lame man, as if there was nothing. Any paper doll with strength—the hotel waiter standing next to him is watching all this indifferently.

The man with big tongue rushed over again.

The lame man also tried to fight back-but he was pulled by his lame leg and failed to step forward immediately, which allowed the man with the big tongue to gain the upper hand again.

Standing in the middle, David kept repeating, "Friend. Friend!" But he didn't want to join the battle, so he clenched his hands into fists, placed them awkwardly and stiffly on his sides, and then turned his head toward him. He ran into the two friends and tried to use such a peaceful way to pull the two people apart.

But it doesn't work at all!

You push me, I push you. The lame man and the man with big tongue are like children in kindergarten, relying on instincts/ability to push each other, but don't know how to use their fists and limbs. The clumsy movements reveal a kind of naivety, even ridiculous. People can't laugh or cry.

And David?

David is like a headless fly, going around between the two people. He tried to use his body to intervene to prevent the two people from continuing to fight, but the lame man and the man with big tongue were not willing to compromise at all and pushed each other. In the middle, he even pushed to David, and then David was like a bumper car out of control, staggering on the left, staggering on the right, and then retreating and staggering off guard.

David's hair has been completely disordered, even his glasses have been skewed, but his hands are still close to the hem of his pants, to avoid being misunderstood after raising his hands and causing unnecessary chaos by joining the battle, just using his own head. Constantly hitting the chest of a man with a lame leg or a man with a big tongue, separating the two.

Unfortunately, there is no effect.

David's head was pushed back and forth like a ping-pong ball, and then he gradually curled up his shoulders, bent his back, and turned around awkwardly and in a panic. He couldn't even raise his head, let alone judge. What is going on now, it just keeps spinning over and over again.

"boom!"

"Boom!"

"boom!"

David's penguin-like footsteps are naive, and even the head-bumping movements are like pandas, cute and funny.

Because of David's blind entanglement, the lame man and the man with big tongue seemed to be hitting an ox from a mountain, and their feet staggered and staggered, and finally they stumbled and deviated in different directions. Both of them seemed to be unable to stand. Steady-the lame man was because of his left leg, and the man with the big tongue was because of his weight. They were separated by mistake, and then hovered in place unwillingly, like a bullfight, still looking for an opportunity to attack. However, both of them are somewhat powerless.

Then David was left in the vacuum between the two people.

But David still didn't stand up straight and didn't relax his vigilance. His footsteps swayed messily on the spot. He seemed to be dizzy because of too many turns. Now he can't straighten his knees while standing on the spot, and his center of gravity is shaking like a tumbler. Rotating leisurely, even so, he still did not give up.

Looking down at the ground, looking for the trajectory of those footsteps from the corners of his eyes, without even distinguishing the source, the footsteps on the left seemed to be about to move forward, so he staggered forward and blocked the past, forcing the steps to go around. , Paused and adjusted for a while, and saw that the right footsteps were approaching, and then he leaned forward with a stride. The footsteps were a bit chaotic because of being too anxious, creating an illusion of throwing arms and hugs, which made the right side His footsteps also backed away again and again.

The frantic little steps are reminiscent of ants—not enough strides, so use strides frequently.

In this way, the left and right sides are always ready to move, so David also followed the footsteps closely, silent but unswervingly implemented his interception policy, and then the footsteps became more and more chaotic and drooping. The sight is completely dizzy, it is not easy to maintain an upright posture, the whole body is always shaking, as if the soles of the feet are installed with springs, and the collision of drunken steps is crumbling.

The stiff and dull action carries a sense of paranoia, but in the chaotic situation there is a sense of absurd joy-no wrestling or tricks, still showing the comedy characteristics of the mime era, which is really uncontrollable.

"Room 187, please come over."

The staff nearby can finally speak, but UU reading www.uukanshu.com is not to persuade the lame man, but to remind the lame man that it is his turn to practice shooting. The staff further added, “The shape of the target paper is single rather than Lovers, this is no coincidence."

The crippled man turned and left, but David still stood on the spot and made two silly turns. Only then did he discern the direction and walked around facing the man with the big tongue.

I staggered two steps because of an unstable center of gravity, and almost fell, but he barely stood still; then he faced the man with a big tongue and moved laterally in a baby-to-baby manner, just like a baby crab, in a man with a big tongue. There is a gap between the lame man behind him.

The big tongue man ignored David and turned back to his position, but David still moved his steps stubbornly and intently:

step.

One more step.

Another step.

The repeated footsteps of the penguin showed a clumsy and paranoid state. Even the drooping eyes still watched the footsteps of the man with the big tongue, never lifted it, and seemed to be expressing his protest in this way.