Quiet, quiet, there is no sound inside the entire Almeida Theater, it seems that even the breathing has completely disappeared; but hidden under this silence, there is a surging heart and excitement, and the eyes show deep. His mixed emotions, like whirlpools and undercurrents under the water, are colliding violently.

The long performance started at 3 o’clock in the afternoon. It experienced a three-hour first half, a two-and-a-half hour break, and a nearly three-hour second half. It was like a marathon, a magnificent and vast world. , Slowly spread out in front of my eyes, and the mighty scroll stretched endlessly, as if I had also experienced a long life.

Witnessed the pure love between Marius and Cosette, witnessed the unsettled end of Epane, witnessed the insatiable greed of the Denadier and his wife, witnessed the enthusiasm of Enjolras, witnessed the depressed death of Javert, and witnessed All living beings under the background of the times have witnessed a period of time, a period of life, and a period of history.

Three hours plus three hours, like a century, the audience also followed Jean-Ajean through a lifetime.

Did we change the world, or did the world change us?

The six-hour video slowly outlines the outline of a world, and then watched the whole world turned upside down and the vicissitudes of life, with countless blood flowing, pushing the wheel of history one after another. The withering youth, the dead lives, the repentant souls, the sorrow and difficulty of fate, the torrent and turbulence of the times, are coming, making all languages ​​lose their color.

This is a torment and a test; but this is life. In the real world six hours away, it is more cruel and cruel. Play is like life, and life is like play. On that mere stage, we have witnessed joys and sorrows, birth, old age, sickness and death. All a condensed world is magnificent and magnificent.

So people were silent; then, people boiled.

The reason why "Les Miserables" is great and classic lies in the tragic heroic image of Jean-Agen and the shock of the torrent of the entire era. The version of the Queen’s Theatre stripped the latter and focused on the former, creating a classic repertoire that will endure; the version of the Almeida Theatre weakened the former and strengthened the latter, truly interpreting the essence of the times and history .

This is not just a play.

Looking at the front right of the stage, the old and declining Jean Ajean was dying, lonely, and withered. He just lay quietly on the rocking chair, with thin arms and thin cheeks, weather-beaten; with a trace of pain and struggle on his flat face, he seemed to be enduring endless torture, but he couldn't make a sound.

Uncontrollably, Mark Lacante has tears in his eyes.

This old man, this old man who has gone through a long life, used his wings to protect Cosette and kept Fantine's promise for the rest of his life; he used his life to protect Marius, just to protect Cosette Special love; he moved Javert with his own mind, and proved that people who made mistakes can really wake up.

However, at the end of his life, he ended up lonely.

Because he chose to be frank, he frankly admitted his past and life experience, and the fact of crime, but met Marius's coldness, and even Cosette misunderstood him and left him. For many years, he gave himself up to save others, but after all, he was alone. Sad Jean-Ajean became depressed, and only loneliness was with him.

He was not even able to attend the wedding of Marius and Cosette. Is this destiny or atonement?

He used to be a sinner and spent his entire life atonement. At the end of his life, he is still waiting for his forgiveness and forgiveness. In the torrent of the times, he is just an insignificant ant, struggling to survive, compelled to follow history, but loses his way when his life is dying.

"...Lord aloft, listen to my prayers, take me away, and be graced by you; no matter where you are, let me follow, take me away, take me there, take me home. Take me home. ."

The melody of "Take him home" sounded again, but this time it was not the taking away of Marius, but the day of Jean Valjean. Jean Arjean's pious eyes and haggard face, dying of breath, sang softly. Unprepared, the tears slipped down, Mark wiped his face embarrassedly, but the tears were still uncontrollable and slipped again.

This is not ashamed. Because here is not a movie theater, but a theater. There is no screen barrier. The stage communicates with the audience face to face. All emotions, all feelings and all energy are detonated directly and directly. The shock from the soul and the baptism from the soul rush to the face. Catharsis down.

Here, happiness and sorrow, joy and pain, smile and tears all coexist. So I laughed; so I cried. This couldn't be more normal. There is no need to be ashamed, and there is no need to be embarrassed. Mark is not alone.

On the stage, Jean Arjean’s earnest and sad hope, and his slightly trembling voice revealed a hint of forbearance. After six hours of emotions accumulated, he hit his chest fiercely and hard, and released it bit by bit. . Not only Mark, but even Aristel was full of emotion at this time.

A beam of light strayed solitaryly on Lan Li's body, covering the thin and dry figure, and the wide robe was about to fall down to outline the sick body under the clothes; it seemed that there was no movement, just relying on singing and The expression, on the huge stage and the huge theater, was accurately and clearly conveyed to every audience.

After experiencing the surprise of the first half, in the second half, Lan Li's performance was even more comfortable. Every time he appeared on stage, he dedicated top performances, which easily attracted the attention of the audience. Even if the John Cod version of the story weakened the role of Jean-Agen, Renly was still a well-deserved absolute in the audience. Shining highlights!

At this time, Lan Li was full of vicissitudes, almost unrecognizable, that old and sick face, even the light in his eyes had disappeared; but the emotional power between gestures and actions still hit every one fiercely. The heart of an audience. The phrase "take me home" makes people full of tears, and the painful and tormented gasp is heartbreaking.

At this moment, Aristel temporarily put all the distracting thoughts aside, just quietly appreciating Lan Li's performance and enjoying the moving moment of this moment.

A spotlight on the left side of the stage lights up, and the long-lost Fantine reappears. In the hazy halo, Fantine in a white dress looks beautiful, but has no sense of reality. This is the illusion of Jean-Ajean. While he was still alive, he saw Fantine who came to meet him, and he knew that it was time. All suffering, all suffering, all torture, will end.

On the large stage, Fantine is on the left and Jean-Ajean is on the right. The empty center is dark, with only a faint halo spreading, like the distance between heaven and the earth. Step by step, Fantine was approaching Jean Arjean, watching that the distance was shortened a little bit, and sadness and painful emotions surged. When he heard the whispers of Jean Arjean’s mouth, all the lines of defense All completely collapsed.

Cosette. He says.

At the moment when life was about to die, Jean-Ajean still remembered the only fetter in the world, Cosette; but they were not around.

"Papa, Papa." A fire burst into the darkness, disrupting all the air currents, Cosette's figure stumbled forward, and then he saw Marius from a distance.

They are coming.

Until today, Marius learned that Jean-Ajean was the savior she had been looking for; and Cosette also knew that she had misunderstood her father. They rushed to find Jean-Ajean the first time, but only saw an old man who was dying. Annoyance and regret caused Marius and Cosette to collapse, tears streaming down.

They knelt before Jean-Ajean’s feet religiously, confessing their mistakes, calling their father, and looking forward to his recovery again.

But Jean-Ajean didn’t care anymore. The smile at the corner of his mouth rose slightly and gently, and his right hand was lifted with great difficulty, and slowly placed it on the handsome face of Marius, “Since you All here..."

A simple sentence, but it seemed to consume all of his physical strength, panting heavily, exhorting, "Waiting by my side again." Then, he raised Marius's right hand and overlapped. Putting it on Cosette's left hand, he patted gently, "I can finally die peacefully, because my life has been blessed by the Lord."

The curve of the corners of the mouth gently rises, and it outlines a touch of satisfaction, but it is so weak that it seems that it may disappear completely at any time.

Cosette grasped Jean-Ajean's palm firmly, and said eagerly, "You will live, Dad. You will live." But her voice began to tremble slightly, revealing a bit of crying, she Kneeling on the ground religiously, praying sincerely, "It's too fast now, UU reading www.uukanshu.com is too fast to say goodbye."

Cosette smiled brightly, but the tears in his eyes reflected the halo, panic and fear, anxiety and sadness gradually overflowed; Marius, who was kneeling next to him, hugged Cosse tightly. Especially, she supported her body with her shoulders, but this is not an easy task.

Jean Arjean tried to lift his left hand, but only slightly lifted it, and then put it down feebly. This action caused Cosette to collapse in an instant. She grabbed Jean-Ajean’s left hand with both hands, and then covered her cheek, gently rubbing it, trying to retain the warmth in her palm. , However, Jean-Ajean’s palm is losing strength, as if a kite that goes with the wind is getting rid of its shackles.

The tighter you hold, the faster you fly.

Alistair's eyes could not help but light up again: wonderful, truly wonderful, not only the blue gift, but also Charlotte Kennedy who played Cosette, and even Joe Alvin who played Marius. In this scene, the mood transitions between the three characters are very full and extremely surging. Now, under their interpretation, they are fully displayed, which makes Aristel start to get excited.

good looking. So lovely.