At the end of the war, the Cree, who could no longer be exhausted, chose to retreat, while the mutant was left behind, continuing to command other mutants to fight against the ancestors of the Indians.

That's the kind of approach that can't beat you, but can disgust you to death.

Before retreating, the Cree's mutation experiments had made a breakthrough. Although mutations would still occur, and the abilities obtained through mutations still had drawbacks, most of the mutants' appearances would not change significantly. They can be mixed into the population of normal humans without being discovered, and they will not even show their strength before a certain age, but the mutants are proud of their identities, and still use the "Hydra" logo to distinguish themselves from normal humans. human beings are distinguished.

In this regard, the ancestors of the Indians had no choice but to choose to eliminate all the mutants who had obvious mutations, and use space technology to exile that special mutant from the earth—that guy seems to have the attribute of "immortality", and there are more than one in the picture. Here and there it is depicted as a human warrior killing it, but it always appears in the next scene.

Banishing it from the earth is undoubtedly the best way to deal with it.

The mural on the third wall is located on the wall where the entrance of the ruins is located. The act of opening the gap to enter the interior of the pyramid destroyed the integrity of that wall and directly damaged the painting itself.

The art of that ancient technological civilization has a unique style. The painting itself is a whole and cannot be divided. Destroying a part is destroying the whole. Just like human beings themselves, taking away a certain organ is directly killing a person. of.

And this unique artistic style also proves the authenticity of the mural itself. There is no civilized artistic style in the world that uses the same technique as this mural, which is a very profound artistic achievement.

This made Nick Fury yell a pity, because it directly destroyed a piece of historical truth. Although most of the murals remained, there was a lack of an entry point, which reduced the understandable information by 70%. many.

What can barely be seen is that although the ancestors of the Indians repelled the invasion of the Cree, they themselves were also damaged and built on the ruins.

This made Nick Fury's nerves relax a little bit. There seemed to be some kind of magic in the murals, tempting him to keep looking at it, remembering every detail on it, and the information contained in it was very important to Nick Fury's worldview. The impact of this is also unimaginable. His brain uncontrollably imagined the battles and killings based on the contents of the murals.

Obviously, they are just static paintings, just figures made up of lines. In Nick Fury’s brain, they come alive one by one, with three-dimensional shapes, various colors of painting, and the roar of fighting. And howling seemed to echo in my ears.

The mural on the fourth wall is only half, with a large area of ​​blank space and some text descriptions.

On that half of the mural, there are countless interstellar warships. Countless giant warriors and ordinary soldiers have entered space on equipment such as space elevators. The huge battleship like a city carries countless warriors and sails towards the distant starry sky. As for where the destination is, there is no explanation on the mural. It is not known whether the creator of the mural did not know or lost this part of the information, or it could not be deciphered due to the destruction of the previous painting.

Nick Fury carefully observed the interstellar warships. They were all a long and narrow structure, as if they were improved from the shape of a canoe, with secret cannon barrels lined up on both sides of the ship.

Compared with text, image information is common, just like you don't know the word "chair" in English, but you can know that it is a chair if you take out a photo of the chair cushion.

After seeing all the murals, Nick Fryca was on that text message.

"The meaning of this text is that their warriors went to the universe on a battleship to take revenge on the invaders who brought them endless humiliation. Their homeland was destroyed, so the invader's homeland would also be subject to their wrath." Coulson said: "The accompanying linguistic experts deciphered and interpreted this information. The people who left these murals and this pyramid are the part of the earth that stayed behind. They are responsible for rebuilding the devastated homeland."

"That fleet, no matter whether it has achieved its goal or not, will return at a certain time... And that time, according to the Indian astronomical calendar, is converted to the Gregorian era, next year, 2012."

"2012?" Nick Fury was talking about this year. According to the prophecy and legend of the Mayan calendar, 2012 is the end of an era and the beginning of a new era. Everything in the old era will wither within this year.

In other words, the Maya's unique astronomical calendar regards every 26,000 years as a cycle, and this cycle is divided into five epochs. 2012 is a year stuck between the old epoch and the new epoch.

If there is no connection among them, Nick Fury does not believe it.

"Can you verify the authenticity of this relic?" Even if he lied to himself, Nick Fury still hoped to get an answer from Coulson, proving that this relic was made by someone later, and the murals and so on were forged.

Or, those murals are actually just literary and artistic works, like comics, just a kind of imagination of people at that time—although many of the details need the support of scientific and technological theories, such as biochemical research, planet concept, and extraterrestrial life.

"Sir, this is true." Coulson said: "In this ruins, there are some ancient artifacts stored. It is a cultural relic that neither the production process nor the alloy formula can be understood, but there is still one item that can be used.”

Although when handing over the information, the agent who was in charge of excavating the ruins said that he had already passed some of the information to the director Nick Fury, even though he hadn't noticed these murals at that time, he only discovered the murals in the pyramid. Some items, but it had the Hydra logo on it, and the agent reported the information immediately.

However, now Nick Fury seems to be unaware of that incident at all, but as an agent and subordinate, Coulson did not point this out. He has known Nick Fury for many years, if he shows a Not knowing what something looks like, you just assume it didn't happen because Nick Fury must have had a mind of his own doing that.

"Where's the stuff?" Nick Fury asked.

"In the base, it is strictly guarded." Coulson said: "It is a sword, a long sword that is not for human use. If it is in a myth, it is a certain god's sword." Saber."

After leaving the ruins, Nick Fury found that the sky outside was still bright. He had a very keen sense of time. He obviously stayed in the ruins for a long time. It should be daytime now. Nick Fury blocked the sun with his hands. Rui suddenly felt a sense of weakness, muscle tremors, and brain dizziness, as if he had been working continuously for a whole day without water or rice in, and he would faint when he closed his eyes.

Nick Fury was able to bear it, but he deliberately pretended to be weak and fell to the ground. If he was really hit, someone would definitely attack him when he was weakest, but Coulson seemed Knowing that Nick Fury would be like this, he quickly supported him and stuffed something into his hand.

"Sir, you probably need this."

Nick Fury looked at the thing in his hand. It was a bag of functional drinks, which was standard for S.H.I.E.L.D. field operations. Looking at Coulson's expression, it was obvious that he knew that this situation would happen to him.

And Coulson explained: "Sir, we have been inside the ruins for two days, two hours and twenty-eight minutes. When you pay attention to those murals, you will subconsciously ignore the passage of time, and your perception of time will change." Affected unless one can restrain one's thirst for knowledge...but hardly anyone, not even a determined agent, can do that the first time they see it."

After unscrewing the cap of the functional drink and drinking the liquid in it, Nick Fury, who was supplemented with water and sugar, suddenly felt that his condition was better, but the sleepiness in his body was hard to alleviate.

After all, it was two days and two nights without sleep. If a bag of drinks can relieve the fatigue of the human body, then first worry about whether there are any prohibited drugs in it, otherwise, S.H.I.E.L.D. will have an additional source of income.

"There is no radiation, no bacteria in the ruins, and the line patterns have been analyzed by psychologists, and there is no element of spiritual suggestion." Coulson said what he had gained during this period: "However, it can affect people's emotions. Perception and thinking, can only think that the creation of that lost civilization has a unique charm."

Using a wheeled tractor again, Nick Fury and Coulson returned to the base. After changing out of their radiation protection suits, they arrived at a temporary laboratory at the base without any rest.

A long sword was placed on the experimental table. Despite the passage of time, its blade is still clean and bright without any rust. There are golden lines on the body, which are some kind of lost characters. The head eagle, the end of the hilt has a skull-shaped decoration, just like the previous treatment of Thor's Hammer, this long sword is also connected to countless cables, and the other end is connected to different instruments, collecting various data.

Only then did Nick Fury understand why Coulson said that this sword is not used by humans, because it is too huge. The weight of ordinary swords does not exceed one kilogram, and the weight of long swords, two-handed epees and the like will be slightly higher A little, but basically not more than two kilograms, like the weapon in the middle that moves tens of kilograms, it is a kind of burden for the user. What about fighting?

And the length and weight of this sword are no longer in the category that ordinary humans can control. The length of the entire sword exceeds two meters, and the ratio of the hilt to the blade is obviously in the category of a one-handed sword. If you use your hands, you can't use this sword normally. If you use your hands, you can barely lift it, but if you meet the enemy, it will be difficult.

The giant door blade that is only used in literary and artistic works exists in reality. It is a weapon called Zhanshen Dao. Instead, he held the handle of the knife with one hand and the back of the knife with the other, and "wiped" with the blade.

Nick Fury thought of the transformed "giants" in the murals. With a physique two and a half meters away, combined with power armor, it is not surprising that this kind of long sword can be used normally.

"The material of this sword is some kind of alloy. All the elements can be found on the earth, but the processing technology and alloy ratio are completely beyond our comprehension." In the laboratory, those scientists in white coats held a A document came over and introduced to Nick Fury.

Nick Fury clearly saw that the scientist had something to say, and asked, "Anything else?"

"If the existing data is correct, the civilization that made this sword has mastered the processing ability at the molecular level. The metal material is forged and shaped at one time under the gravity of the star level, and it will almost never wear out."

The scientist said: "Moreover, this sword is not just a simple sword, it is also a high-tech weapon that our technology cannot understand."

"Show me." Nick Fury pinched his eyebrows and said.

The scientists in the laboratory started to move. First, the various cables connected to the sword body and hilt were removed. Two scientists clamped the long sword with mechanical pliers and transferred it from the experimental bench to a On the iron frame with counterweight, snap the hilt into the bayonet reserved on the iron frame~lightnovelpub.net~ so that the blade faces inward and the blade faces upward.

Then, a scientist changed his white coat, put on a heat-resistant protective suit, put on goggles, held a flamethrower, and roasted the blade of the long sword like a barbecue.

"High-tech weapons all need energy to drive. We don't know how to properly charge the sword, but doing so can replenish part of the energy of the sword." The scientist said.

After the long sword was roasted for a while, the scientist who used the flamethrower stepped aside, and another scientist fumbled on the hilt, as if a switch had been pressed, and the blade of the long sword was covered with a layer of light blue. Shrouded in a dark mist, and the creature's instinct to avoid danger made Nick Fury subconsciously want to back away from the scope of the sword, but he controlled his actions.

Even so, that layer of "mist" still exudes a destructive atmosphere.

Two scientists walked over carrying an iron rod as thick as an arm. They stuck the real iron rod on a simple track on the iron frame, and then let go, so that the iron rod fell freely and hit the ground. The blade of the long sword was cut, and then it was divided into two parts by the blade, and the fracture was as smooth as a mirror.

Please remember the first domain name of this book: . :